English 3.0, a short film about digital language use

November 16, 2014

English 3.0’ is a 20-minute video (embedded below) from documentary filmmaker Joe Gilbert about the effects of digital culture on language use and change, particularly English. The introductory voice-over asks:

Will abbreviations, crudely spelled words and a lack of consideration for grammar become the norm, or are these anxieties simply great plumes of hot air manifesting out of fear – fear of the new?

This question is addressed from various angles by a series of talking heads whose comments are for the most part informed and level-headed: in order of appearance, David Crystal, Fiona McPherson, Robert McCrum,* Tom Chatfield, and Simon Horobin.

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English 3.0 by Joe Gilbert, a short documentary film about digital language use

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Crystal, for example, reports on children’s use of abbreviations in text messages, which he analyses when visiting schools. Back in 2004 the abbreviation count was only about 10% on average; on a recent visit there were none at all. The students tell him they “used to do that” but it’s not cool anymore; one child, tellingly, stopped when his parents started.

Chatfield (whose excellent book Netymology I reviewed here) talks lucidly about various conventions in informal digital communication, characterising them as innovations which, like any technology, can be used skilfully or not. He believes talking about a decline in English “lets us off the hook, because it stops us from asking what it means to use new opportunities well or badly”:

We really need to be a little bit more sophisticated about this, and partly recognise that what people are doing is bending screen-based language to be more expressive rather than less. When you don’t have a human face there in person to convey emotional text and subtext, you tend to go above and beyond conventional standard English, conventional good grammar, in order to get your meaning across. You draw smiley or sad human faces out of punctuation; you use lots of exclamation marks; you use irony marks and asides; on Twitter you use hashtags. Now this isn’t for me bad grammar so much as good innovation when it’s done well.

The video could have done with more female voices – one woman out of five participants is not a very good balance – and subtitles would be a welcome addition especially for non-native-English speakers.

But compared with the last video about language that I featured on Sentence first, Weird Al’s ‘Word Crimes’, ‘English 3.0’ is a dose of fresh air, common sense, insight, and tolerance, and is well worth 20 minutes of your time.

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* Not McCrumb, as the video caption has it. This is why we need proofreaders.


An interview at Grammarist

October 7, 2014

I’ve been interviewed by Grammarist, a website specialising in words and language use. Among the topics addressed are the origins of Sentence first, whether blogging has changed language use, common mistakes, and how I would change the way people use language.

Here’s one Q&A item:

What is so interesting about language/grammar to you?

I’ve always been drawn to nature and biology, and language is one of its more compelling phenomena – not least because we use it to think and communicate with. As the Modest Mouse song goes, it’s the liquid that we’re all dissolved in. Once you start looking closely at language it opens up worlds of wonder, be it the complex choreography of speech or syntax or the transporting effects of a novel or poem. Sometimes language gets in our way, but it’s hard to imagine human life without it.

You can read the rest here. Despite my tendency to ramble I kept things fairly short and light. Comments are welcome at either location.

Grammarist has a good series of these interviews, with some names that I’m sure will be familiar to you. Anyone in the mood for even more can read earlier interviews I did for Copyediting newsletter and the WM Freelance Writers Connection.


Communicating with the distant future

September 11, 2014

It’s sobering to imagine modern English as an archaic dialect – how the language might evolve and how our version(s) of it might appear from a position many generations into the future. That English will change radically in a few centuries or a thousand years is beyond doubt: read a few lines of Old or Middle English and you’ll get an idea of how much.

This presents a problem when communication with people in the far future is an absolute must. Whatever about literature becoming ever more impenetrable, how do we warn future humans about dangerous contaminants that we’ve buried for safekeeping? It’s not enough to isolate these materials now; they may need to be kept isolated for a very long time.

Read the rest of this entry »


Link love: language (59)

September 7, 2014

Link love is back! I took a break from this regular feature a year ago, for reasons, but never intended that break to be permanent. So here’s a selection of language-related articles and other material that caught my eye over the last while. It’s a bumper crop.

10 words that are badly broken.

How do you rhyme in a sign language?

What to say to peevers.

Podcast on accent diversity and prejudice (22 min.).

How do our brains treat metaphors and idioms?

Sending text messages in calligraphy.

When nouns verb oddly.

Ammosexual.

The defensive/impatient use of Look.

What were medieval scriptoria really like?

Timeline of 870 madness-related slang terms.

De-extinction: when words come back from the dead.

Who can save Ayapaneco?

The fevered art of book blurbing.

Google’s global ‘font family‘.

On loanwords and the Dictionary of Untranslatables.

The strange hidden logic (not hidden strange logic) of adjective order.

For a president today, talkin’ down is speaking American.

Unpacking America and Americans.

The origins of bum’s rush.

The problem of socialised male speech dominance.

Graphing the frequency of English letters and their position in words.

A good podcast on linguistic relativity.

On the birth of italics.

Crowdsourcing linguistic explanations.

Stand-up comedy in a second language.

Samuel Beckett and the voices in our minds.

Comparing the language of climate change in Germany and the US.

10 ‘grammar rules’ it’s OK to break.

The bodacious language of Bill & Ted.

Microaggressions in metacommunication.

Lovecraft and the art of describing the indescribable.

Why a painting in the White House has a deliberate spelling error.

How slang wilding was used to uphold a narrative of race and crime.

:) vs. :-) – Stylistic variation in Twitter emoticons (PDF).

Is erk related to oik?

Learning the language of love, 1777.

Interesting interview with Games of Thronesresident conlanger.

Also, GoT is more linguistically sophisticated than you might think.

Against editors? Make that For writers.

What goes in a dictionary when the dictionary is online?

A list of words coined (or notably used) by Edgar Allan Poe.

Recreating silent-film typography.

How to market a dictionary, 1970s-style.

That will do for now. If you’ve the appetite and time for more, you can browse the language links archive, or visit some blogs and sites linked in the sidebar – they’re all good. You can also follow me on Twitter – on the days I’m there I usually post a few links, among other things.

One last thing, lest it get lost in a list of ling-lust: the Speculative Grammarian book, which I reviewed positively last year as a feast of satirical linguistics, is now available as a PDF for $5.95 – or $4.95 for Sentence first readers.


Join your child (to the library)

August 8, 2014

I noticed this banner ad on the window of my local city library:

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stan carey - galway city library - join your child for free

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The problem with Weird Al’s ‘Word Crimes’

July 23, 2014

I’m late to the story of Weird Al and his word crimes, and I’m too busy to do it justice, but luckily there has been a glut of good commentary already, some of it linked below.

First, the song, in case you’re catching up. ‘Word Crimes’ is a new release from American comedian ‘Weird Al’ Yankovic, a novelty number about grammar, spelling and usage that borrows the template of a hit song from last year called ‘Blurred Lines’. You might want to watch or listen first, if you haven’t heard it, and you can read the lyrics here.

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The developmental overkill of language

June 1, 2014

In his excellent natural history of language, The Power of Babel, linguist John McWhorter describes dialects – and it’s all dialects – as “developed far beyond the call of duty”. He’s referring to the way languages tend to become structurally and idiosyncratically baroque:

Left to its own devices, a human language will tend to elaborate into overt expression of subdivisions of semantic space that would not even occur to many humans as requiring attention in speech and become riddled with exceptions and rules of thumb and things only learnable by rote. This process tends to achieve its most extreme expression among groups long isolated, but any language that has been spoken for tens of thousands of years exhibits some considerable degree of “developmental overkill.” It is this feature of human language that contributes to why learning other languages as an adult is such a challenge. No language has been goodly enough to remain completely tidy and predictable, no language has not stuck its nose somewhere where it didn’t really need to go, no language classifies objects and concepts according to principles so universally intuitive that any human could pick them up in an afternoon, and in none of them are there classifications indexed to currently perceptible cultural concepts in anything better than a highly approximate manner.

This tendency towards complex over-elaboration manifests inevitably in any language that has been around long enough. The converse is that new languages have relatively little such ornamentation, which emerges only through centuries or millennia of “sound erosions and changes, grammaticalizations, rebracketings, and semantic change”.

Pidgins are simplified languages, largely stripped of unnecessary complication, that arise for utilitarian reasons between groups who lack a common tongue. So when these are “born again” as full-fledged languages, in the form of creoles, the results are comparatively free of overdevelopment – before the engine of encrustation gets going again for subsequent generations.


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