Alexander Ellis on the chameleon nature of language

April 17, 2013

Alexander John Ellis (1814–90) was a musicologist, philologist and phonetician whose approach to language was systematic and descriptive. He gave primacy to speech over written forms, writing in chapter 1, vol. 1 of his magnum opus On Early English Pronunciation (1869–89) that “a real, living, growing language”:

has always been a collection of spoken sounds, and it is only in so far as they indicate these sounds that other symbols can be dignified with the name of language.

Alexander John EllisHenry Hitchings, in The Language Wars, says Ellis carried with him a variety of tuning forks (among other things kept in the 28 pockets of his greatcoat), the better to measure the pitch of musical instruments he encountered; and, perhaps, of voices – Ellis said a vowel sound “is properly a musical tone with a definite quality or timbre”.

A few lines after the quotation above comes an astute passage on the mutability of language:

Spoken language is born of any two or more associated human beings. It grows, matures, assimilates, changes, incorporates, excludes, develops, languishes, decays, dies utterly, with the societies to which it owes its being. It is difficult to seize its chameleon form at any moment. Each speaker as thought inspires him, each listener as the thought reaches him with the sound, creates some new turn of expression, some fresh alliance of thought with sound, some useful modification of thought with custom, some instantaneous innovation which either perishes at the instant of birth, or becomes part of the common stock, a progenitor of future language. The different sensations of each speaker, the different appreciations of each hearer, their intellectual growth, their environment, their aptitude for conveying or receiving impressions, their very passions, originate, change, and create language.

This view shows Ellis’s appreciation of just how immediate, dynamic, and democratically distributed is language change. Like it or lament it (or lose no sleep whatsoever over it), language change is something in which everyone plays a part whenever they speak or write to someone else.

On Early English Pronunciation is available on Google Books and the Internet Archive.

[image from Dr Wallich’s Studio, Kensington, 1868, part of the Tucker Collection, via the London Mathematical Society]

Link love: language (52)

March 25, 2013

Time for another language linkfest. They grow quickly when I turn my back, one link giving rise to another. Anyway, it’s the usual mixum-gatherum of items relating to language, linguistics, words and books. Happy reading.

How to save wet books.

Cataloguing -og vs. -ogue.

“In love with he.”

How trustworthy are our intuitions about words?

Raising a deaf child.

Lip-reading: seeing at the speed of sound.

“A house without books is like a room without windows.”

Multilingual swearing preferences.

Silencing Irish.

Punk, brat, jerk, barbarian: the origins of 10 insults.

A vanishingly unlikely language peeve.

“My linguistics dreams are intense and vivid.”

Helllloooo, wooord lengtheningggg.

Wikipedia’s language distribution.

March forth and enjoy / 269 / Grammar Day haiku.

NBC pronunciation standards of the mid-20th century.

Dr Seuss and the OED.

On synaesthesia: “T’s are generally crabbed, ungenerous creatures.”

Manufacturing moral panic over linguistic integration.

Pronouncing skeletal.

8 new and necessary punctuation marks.

Literary graffiti from around the world.

Mammet, Muppet, and other puppetry words.

Mapping the languages used on Twitter in New York.

Word usage mirrors community structure on Twitter.

John Wallis and language invention.

Dictionary of Canadianisms on Historical Principles.

A philosopher burns his Encyclopaedia Britannica.

Cyberlinguistics: recording the world’s vanishing voices.

A dictionary – and cultural record – of Iu-Mien.

Which is worse,, a double comma or an unclosed bracket? (such as this

*

[Archived language links]

There’s nowt wrong with children’s dialects

February 14, 2013

A minor linguistic storm arose in the UK last week after a Teesside school principal asked parents to “correct” their children’s informal speech – phrases such as it’s nowt (it’s nothing), I seen (I saw, I have seen), and gizit ere (give us it here = give it to me). Dan Clayton alerted me to this story, and provides additional insights and links on the unfolding debate.

As Dan points out, the extent and passion of the responses – in online comments, follow-up articles and discussion elsewhere – “[show] what a live issue” it is. People have very strong feelings about correctness in language, but unfortunately this strength of feeling isn’t always matched by tolerance and understanding.

Read the rest of this entry »


A funny kind’ve spelling

January 21, 2013

Earlier this month I wrote about the military acronym strac, which I came across in Robert Crais’s novel L. A. Requiem (1999). Something else I noticed in that book was this curious spelling:

“That was kind’ve goofy, wasn’t it [...]?”

Obviously a nonstandard rendition of kind of; I made a note of it and kept reading. Being on a winter binge of detective fiction, I read Michael Connelly’s The Last Coyote (1995) soon after that and saw the same strange form, this time repeatedly:

“I’m kind’ve freelancing on an old case, Leroy.”

“We just kind’ve sparred around for a few minutes but then I left him something.”

“It’s kind’ve like the more they push one way, the more I push the other.”

“Kind’ve an undercover thing.”

“Well, it was kind’ve like one of those Catch-22 situations.”

So we see its use isn’t limited syntactically: it can modify adjectives, verbs, nouns, etc. – but always in dialogue, at least from the two authors I’ve seen use it so far.

Kind’ve for kind of presumably arises because of the phonetic equivalence of unstressed of and ’ve in speech – the /əv/ sound is misanalysed when put on the page, perhaps deliberately to convey a character’s earthiness or unsophistication. It’s a sort of inverse of the would havewould of variation I wrote about last year (and have since updated with additional literary examples).*

A quick online search shows that kind’ve is not uncommon in informal language. A couple of people at Yahoo! Answers call it an acceptable colloquialism, but the majority don’t. (Another option, kinda, drops the v sound, so it wouldn’t necessarily be an accurate transcription.)

Kind’ve and company are an understandable development, but an unsound one in my view – despite appearing in edited books by well-known writers. My advice is to avoid kind’ve: there are other ways to convey informality, and it’s more likely readers will be confused, annoyed, or distracted by this kind of orthographic meddling.

What do you think?

*

* Speaking of which, an Urban Dictionary definition says sort’ve is “the new would of!” and notes sarcastically that it “serves to demonstrate that “have” and “of” are now completely interchangeable”.


How do you pronounce GIF? Does it matter?

December 12, 2012

When Oxford Dictionaries named the acronym GIF (graphics interchange format) as their US word of the year (in its verb use), debates resurfaced over its correct pronunciation. The short answer is that both /gɪf/ and /dʒɪf/ are fine – you can say GIF with the hard g of gift or the soft g of gin. Or you can say the letters: “gee eye eff”.

Some people insist on soft-g GIF, as in “jif”. They say it’s “up to the creators”, and “jif” is what the format’s inventors indicated. But this presumes a non-existent authority: the creators don’t get to lay down a planet-wide law, nor does anyone on their behalf. Pronunciation develops through general agreement – it’s up to everyone who uses the term – and most people seem to prefer hard-g GIF.

Philosoraptor meme - Is it 'gif' or 'gif'Gi- is inherently ambiguous, pronunciation-wise. We have hard-g gift, gills, giddy, give and giggles, soft-g gin, giblets, Gilly, giant and gist.* (There’s a Scandinavian flavour to the hard-g set.) So it’s not surprising the pronunciation of a new gi- term would split this way. But there aren’t many gif- words apart from gift, so it’s not surprising either that hard-g GIF predominates. The g‘s origin in graphics is another factor in its favour.

But there’s no question both are acceptable: Oxford Dictionaries sanction both, as do Merriam-Webster and the American Heritage Dictionary, each of them based on extensive data of what people say. There is more than one right way – there often is – and declaring otherwise doesn’t make it otherwise.

Soft-g GIF may gradually fade, or it may retain minor currency. A continued split would not be a problem. Millions of people pronounce schedule with a sh- sound; other millions go with sk-. Communication is roomy enough to contain such discrepancies, and if confusion arises people are smart and imaginative enough to figure it out. Though I can’t speak for Philosoraptor.

Out of curiosity, how do you pronounce GIF? Feel free to vote in this poll or to add your thoughts below.

*

* In phonetics, /g/ is a voiced velar stop and /dʒ/ is a voiced palato-alveolar affricate.


Flouting class and flaunting mnemonics

December 5, 2011

It’s the start of a new month, which means it’s time to report on what I’ve been writing at Macmillan Dictionary Blog over the last few weeks. Five posts on words and language are linked and excerpted below, or you can go straight to my archive of articles.

Someone on Twitter reported seeing a sign that read: “Help impact a child, donate your vehicle”. This is a usage of impact that bothers a lot of people, and I can’t say I’m fond of it myself. But there’s nothing grammatically wrong with it.

So how does “impact” impact you? This post considers the word in the context of Michael Hoey’s lexical priming theory, which says that as we acquire vocabulary it becomes “loaded with the contexts (linguistic, generic and social) in which we repeatedly encounter it”. And it seems we can’t help wanting others to support our impressions:

We have a tendency to generalise from our feelings, leaping too easily from “I dislike this usage” to “This is wrong” or even “No one should ever say this anywhere.” It’s natural that we would want to universalise our preferences, but it’s not very reasonable or practical. Better to examine why we might object to a legitimate word. This can have a surprising impact. [more]

People sometimes adopt new modes of speech to advance in work or society or to dissociate from certain areas or attributes and so on. This may be part of what inspired the much-derided “Dortspeak” in and around Dublin.

I look briefly at the accent and at Received Pronunciation in RP and Dortspeak. RP, also known as BBC English and the Queen’s (or King’s) English, is not so exalted nowadays as it once was, but for a long time it had powerful social prestige:

An RP accent, even a modified one that combines it with regional qualities, has prestige because it implies a certain level of education, social status, prosperity and perhaps political power. Centuries ago it was the accent of the courts and high society in London and the home counties; people moving there to advance in life often adopted it as their own.

Later, RP became the accent of public schools and the BBC, which strengthened and stabilised its status as the “standard” form of English speech. It was (and remains) linked to class consciousness. [more]

Class consciousness was a recurring theme on Macmillan Dictionary Blog during November, which was its “class English” month and featured excellent posts by a range of regular and guest contributors.

My next article, Through the class ceiling, broadens the discussion in my previous post from accents to dialects:

Standard English is an important and useful variety of English, but its status comes from historical circumstance rather than inherent linguistic superiority. This point is sometimes missed by those who hold that there is an ideal form of English — which typically corresponds to the form they were taught or to which they aspire.

Later I quote from Jean Aitchison’s book Language Change: Progress or Decay?, in which she describes how Samuel Johnson’s great dictionary may have encouraged belief in a false hierarchy of linguistic properness:

Johnson, like many people of fairly humble origin, had an illogical reverence for his social betters. When he attempted to codify the English language in his famous dictionary he selected middle- and upper-class usage. . . . in many instances [he] pronounced against the spoken language of the lower classes [more]

Leaping forward a few centuries, High-speed tech jargon explores online lingo and its rapid turnover:

Jargon is part of a sublanguage, and is subject to forces of change just like our common vocabulary is. Technology evolves quickly and its jargon is churned out at a corresponding rate. Entire avenues of research and use are rendered obsolete by superior (or better commercialised) developments, so what were technological buzzwords one year might be unrecognisable just a few years later.

After considering (and linking to) a few recent articles on tech jargon, two of which find fault with its ubiquity or opacity, I conclude that

So long as jargon is reasonably transparent and pitched at the appropriate level, there is no cause for alarm; when communication fails because the words we use are too obscure or esoteric, people will either stop reading or let us know. [more]

Finally, Avoid flaunting your confusion is about commonly confused word pairs like flaunt vs. flout, and how we can use mnemonics and other methods to help remember which word is which.

To remember that flaunt means show off, for example, you could think of the aunt in flaunt and picture your aunt behaving ostentatiously. To make it doubly effective, address the other word in the pair, too: notice the lout in flout and think of a lout flouting the law . . . .

Mnemonics can help us only if we put them to work. First we need to be aware that there’s a difficulty, and to take responsibility for it. The tricks we devise can be personally meaningful or arbitrary and absurd, so long as they’re readily brought to mind. The more memorable they are, the more reliably they’ll do the job. [more]

Feel free to share your thoughts below or at the aforelinked posts.


Online IPA keyboards

July 25, 2011

Tomasz P. Szynalski, an English-Polish translator, has created TypeIt, a useful website for typing phonetic transcriptions in the International Phonetic Alphabet (IPA). Text can be entered in a range of fonts and with special characters, marks and glyphs from other languages.

/’vɛri ‘hændi ɪn’diːd, ɘnd fʌn tɘ juːz/

I don’t know when it was developed – recently, I think. There are many websites with charts, explanations and audio files of IPA, but few that are designed for immediate online transcription. I like Richard Ishida’s, Weston Ruter’s, Paolo Mairano’s and this Phonemic Chart too, but it’s good to have options. Another: i2Speak.

Thanks to Lauren Hall-Lew, who brought TypeIt to my attention on Twitter.

[Note: I've edited this post slightly to add a couple of IPA tools that were mentioned in the comments.]


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