English 3.0, a short film about digital language use

November 16, 2014

English 3.0’ is a 20-minute video (embedded below) from documentary filmmaker Joe Gilbert about the effects of digital culture on language use and change, particularly English. The introductory voice-over asks:

Will abbreviations, crudely spelled words and a lack of consideration for grammar become the norm, or are these anxieties simply great plumes of hot air manifesting out of fear – fear of the new?

This question is addressed from various angles by a series of talking heads whose comments are for the most part informed and level-headed: in order of appearance, David Crystal, Fiona McPherson, Robert McCrum,* Tom Chatfield, and Simon Horobin.

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English 3.0 by Joe Gilbert, a short documentary film about digital language use

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Crystal, for example, reports on children’s use of abbreviations in text messages, which he analyses when visiting schools. Back in 2004 the abbreviation count was only about 10% on average; on a recent visit there were none at all. The students tell him they “used to do that” but it’s not cool anymore; one child, tellingly, stopped when his parents started.

Chatfield (whose excellent book Netymology I reviewed here) talks lucidly about various conventions in informal digital communication, characterising them as innovations which, like any technology, can be used skilfully or not. He believes talking about a decline in English “lets us off the hook, because it stops us from asking what it means to use new opportunities well or badly”:

We really need to be a little bit more sophisticated about this, and partly recognise that what people are doing is bending screen-based language to be more expressive rather than less. When you don’t have a human face there in person to convey emotional text and subtext, you tend to go above and beyond conventional standard English, conventional good grammar, in order to get your meaning across. You draw smiley or sad human faces out of punctuation; you use lots of exclamation marks; you use irony marks and asides; on Twitter you use hashtags. Now this isn’t for me bad grammar so much as good innovation when it’s done well.

The video could have done with more female voices – one woman out of five participants is not a very good balance – and subtitles would be a welcome addition especially for non-native-English speakers.

But compared with the last video about language that I featured on Sentence first, Weird Al’s ‘Word Crimes’, ‘English 3.0’ is a dose of fresh air, common sense, insight, and tolerance, and is well worth 20 minutes of your time.

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* Not McCrumb, as the video caption has it. This is why we need proofreaders.


Wack v. whack, and choosing enthusing

October 15, 2014

I have two new posts up at Macmillan Dictionary Blog. The wacky world of ‘wack’ and ‘whack’ looks briefly at these similar (and sometimes overlapping) words with many meanings in informal usage:

Whack meaning ‘hit’, as a noun and verb, is centuries old but remains informal compared to such synonyms as strike, blow, and knock. It may be onomatopoeic in origin, which is why it’s used as a sound effect in comic books and the old Batman TV show. It also has the related meaning ‘kill’, for example in criminal slang.

Wack emerged more recently as a back-formation from wacky. Initially it was a noun used to refer to a crazy or eccentric person – He’s a real wack – with wacko and whacko emerging as slangy offshoots. This was followed by adjectival wack meaning bad, unfashionable, stupid or of low quality, as in the anti-drugs slogan Crack is wack.

I go on to describe some of the ways the two words are used, and the possible limits of their interchangeability.

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Enthusing about freedom of usage considers (and defends) the much-maligned back-formation enthuse:

Lots of words and usages are criticised or considered ‘incorrect’ when really they’re just colloquial, relatively new, or unsuited to formal use. As Michael Rundell wrote recently, ‘what might be inappropriate in a very formal setting may be perfectly acceptable in a conversation between friends’. . . .

What one generation finds ignorant or ridiculous, the next might adopt without fuss. Enthuse retains a semblance of impropriety, and is still frowned on by conservative writers and readers. Others, myself included, may have nothing against it but prefer periphrastic alternatives like ‘show enthusiasm’ or ‘be enthusiastic’.

The post details some of the criticism and commentary enthuse has received, and summarises its status in different varieties of English.

Older posts are available in my Macmillan Dictionary Blog archive.


Sleeveen language in Ireland

October 1, 2014

In an article in the Irish Independent this week on privatisation fears and political shenanigans, Gene Kerrigan used a great word borrowed (and anglicised) from the Gaelic:

Is it really okay for the Taoiseach [Irish prime minister] to do what he did, then he makes a non-apology and everyone moves on?

Did Enda Kenny lie to us?

You won’t find a straightforward statement in which he said he had nothing to do with the stroke. Instead, he said, “ministers are free to make nominations to particular boards”. Sleeveen language. Deliberately deceptive, while taking pains not to formally lie.

A sleeveen is a sly, smooth-tongued person, a rogue or a trickster. Oxford Dictionaries defines it as “an untrustworthy or cunning person”, Collins says it refers to “a sly obsequious smooth-tongued person”, while Yeats glossed it as a “mean fellow”. You get the idea.

Despite appearances it can be used affectionately, like most Irish insults, but this is obviously not the case above, nor is it normally.

Sleeveen comes from Irish slíbhín “sly person”, to which Dinneen adds slighbhín. The Irish words’ s can be closer to /ʃ/ “sh”, so the spelling shleeveen is also used – as are sleveen, sleiveen, and slieveen. It’s often used in political contexts, and, like smacht, occasionally makes the headlines:

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Transporting the dear departed euphemisms

July 2, 2014

[Trigger warning if you're grieving, or sensitive about death.]

Death is often called the great leveller; it’s also the great euphemised. I have a book on euphemisms with a full chapter devoted to it, and I’m sure that’s not unusual in the niche. The idea of death also recurs in slang and metaphor, as Jonathon Green shows here, at least some of the time for similar reasons of delicacy and evasiveness.

I was leafing through George Carlin’s book Brain Droppings the other day and found a vivid comparison of direct vs. euphemistic language in the specific area of funerals and burial (bold text in the original):

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Book review: ‘Language! 500 Years of the Vulgar Tongue’, by Jonathon Green

June 17, 2014

Just as culture has its counterculture, so language has its nonconformist, outsider self. Why it’s called slang is an enduring mystery to etymologists and lexicographers, but the elusiveness only adds to its intrigue.

Much of slang by its very nature goes unrecorded, or at least did so before the internet turned half the world into quasi-publishers. This makes tracking the history of slang a real challenge – how do you flesh out something that never had a proper skeleton to begin with?

Enter Jonathon Green, aka Mister Slang, whose new book Language! 500 Years of the Vulgar Tongue provides a sturdy history. (Its publisher, Atlantic Books, kindly sent me a copy for review.) Language! is a thoroughly engaging account of slang’s development from the early days of criminal cant to the broader current-day incarnations stemming from our cities’ subcultural and multicultural vernaculars.

Born in the street, it resists the niceties of the respectable. It is impertinent, mocking, unconvinced by rules, regulations and ideologies. It is a subset of language that since its earliest appearance has been linked to the lower depths, the criminal, the marginal, the unwanted or even persecuted members of society. It has been censored, ignored, shoved to one side and into the gutter from where it is widely believed to take its inspiration and in which it and its users have a home. It remains something apart, and for many that is where it should stay.

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10 words used only in Irish English

May 26, 2014

God forgive me, I’ve written a listicle. Below are ten words and usages in Irish English (or Hiberno-English*) that you mightn’t be familiar with unless you’re a Sentence first veteran, a dialect scholar, or of course Irish, or Irishish.

Some were borrowed from Irish and became part of Irish English. Others are English words with meanings peculiar (or mostly so) to Ireland. What follows is just a summary, but each word links to a post I’ve written with more detail, notes on pronunciation, examples from literature and real life, and so on.

1. Smacht is a noun loaned from Irish meaning control, discipline, or order. You might put smacht on something or someone, like an untidy room or an unruly team.

2. Moryah has various spellings all based on the Irish phrase mar dhea. It’s an ironic or sceptical interjection used to cast doubt or mild derision on an assertion.

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Book review: ‘Odd Job Man’ by slang lexicographer Jonathon Green

March 19, 2014

Chambers Slang Dictionary by Jonathon Green is my usual first stop for slang queries and browsing, because it’s the biggest such book on my shelf – size matters in lexicography – and also the best. A quote on the spine says, “Dr. Johnson would have moaned with delight”, and while I could live without the thought of Samuel Johnson making pleasure-noises on my shelf, the sentiment holds.

2010 saw publication of the eponymous Green’s Dictionary of Slang, a three-volume behemoth based like the OED on historical principles, giving slang the deep scholarship it deserves – and more than it has ever received before. Green has since updated thousands of its entries in his database, but since GDoS might not see a revised print edition, I only hope it goes online. [Edit: it has done, for subscribers.]

Green’s life and work are the twin topics of his new book Odd Job Man: Some Confessions of a Slang Lexicographer, kindly sent to me for review by Jonathan Cape in London. It aims “both to demystify ‘the dictionary’ and to give some glory to slang, one of language’s most disdained of subsets.” These modest aims it achieves, and then some: this is a belter of a book.*

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