Non-life-threatening unselfconscious hyphens

October 10, 2014

Happy the reader who is unselfconscious about hyphens. Or is it unself-conscious? Un-selfconscious? When we add a prefix to a word that’s already (sometimes) hyphenated, it’s not always obvious whether and where a hyphen should go in the new compound. Tastes differ. Even un-self-conscious has its advocates.

I’m all for the solid, unambiguous unselfconscious, recommended by the Oxford Manual of Style among others. But different compounds raise different issues, and there’s variation and disagreement in each case over which style works best. That may be understating it: Fowler referred to “chaos” and “humiliation” in the prevailing use of hyphens.

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Hobby, hobbier, hobbiest hobbyists

October 3, 2014

I’m making my way erratically through Robert Crais’s back catalogue of detective fiction, and today in Demolition Angel (Orion, 2000) happened upon an unusual misspelling:

robert crais - demolition angel - Orion books - hobbyists hobbiests typo

Hobbiests! I almost read right past it. But once a proofreader, etc.

Obviously it should be hobbyists, meaning people devoted to a hobby. Hobbiest looks like a superlative adjective – “the most hobby”. But the two words are pronounced very similarly or identically, and many more words end in -iest than -yist, so you can see how the non-standard form might have materialised.

Although hobbiest has yet to appear as a variant spelling in any of the major dictionaries, a Google search shows it to be common in unedited writing. This is the first time I remember seeing it in a published book. Proofreaders, en garde: lobbiest may be next.

Edit: Here it is again, later in the book, this time in the singular.

robert crais - demolition angel - Orion books - hobbyists hobbiests typo 2


Strange rules, strange spellings

June 12, 2014

At Macmillan Dictionary Blog I’ve been writing about strange rules and strange spellings. First up, How many ‘alternatives’ can there be? revisits a recent list of usage peeves from Simon Heffer, focusing on the false idea that there can only be two alternatives:

this dubious rule has little support among experts. Even back in 1965, Ernest Gowers’ revision of Fowler called it a ‘fetish’. It seems to originate in the word’s Latin ancestor, which specified a choice between two. But English is not Latin, and this is the etymological fallacy – the belief that a word’s older or original meaning must be more correct or solely correct. It is a misconception that underlies many false beliefs about words. . . .

No one can uphold the etymological fallacy consistently and still hope to communicate with people. Because so many words drift semantically, the purists must pick and choose a few examples and forget all the rest.

So why do pedants risk what credibility they might have, or seek, for the sake of these shibboleths? I think it has to do with the politics of language, and I elaborate on this a little in the post.

For more discussion of this, see Gretchen McCulloch’s excellent recent article in Slate on linguistic authority (which quotes me on the subject).

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That’s the strange rule; now the strange spelling.

Kind’ve a strange phrase examines the item kind’ve, which I saw in two detective novels recently. Kind’ve is a common spelling in informal writing, such as Twitter, but quite rare in edited writing. So what motivates it in each sphere?

You can kind of see why [Michael] Connelly might have used the spelling kind’ve, even if you don’t approve of it. It’s pronounced identically to the standard phrase kind of, at least when the vowel sound in of is unstressed . . . .

I’ve seen non-standard kind’ve in published prose before, albeit only in detective fiction so far: Connelly again, and also Robert Crais. It seems unlikely these capable authors (and their editors) are unaware of the issue and assume kind’ve is formally correct. Rather, I imagine they know the spelling is improper but are using it in dialogue for effect – something writers have always done.

The post goes on to address whether the phrase’s pros in a book, such as they are, are worth the cons. Though I’m (kind’ve) getting used to seeing it, I would still tend to edit it to kind of or kinda – or at least flag it for the writer and hear their case for it.

See also my older post on spelling kind of as kind’ve, and my archive of language posts at Macmillan Dictionary Blog if you feel like browsing.


How do you pronounce “Imgur”? Take the poll!

April 9, 2014

In a recent post on pseudotranslations, I wrote that Imgur, of imgur.com fame, was pronounced “imager”. But this skated over a lively and unresolved debate. The site itself says:

Imgur is pronounced “image-er/im-ij-er.” The name comes from “ur” and the extension “img” – your image!

But it’s not an intuitive pronunciation. When I first encountered the site I called it “im-gur” or “im-grr”. Because the g is followed by a u, it didn’t even occur to me that it might be a soft /dʒ/ sound. Most of the people I’ve spoken to about it agree, or they avoid saying it altogether.

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boromir meme - one does not simply say imgur

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‘Emphatic’ quotation marks and consonant doubling

March 29, 2014

I have two new posts up at Macmillan Dictionary Blog, one on errant punctuation and one on a sometimes tricky aspect of spelling and morphology.

The ‘emphatic’ use of quotation marks summarises accepted uses of quotation marks, including scare quotes, before considering a common but non-standard use:

Sometimes people use quotation marks to stress a word or phrase, and this clashes with the general understanding of how the marks – and scare quotes – are properly used. In a comment to my recent article on the use of apostrophes, Kristen said she found this habit troublesome, offering the example ‘fresh’ fish, which inadvertently casts doubt on the freshness of the fish – the very opposite impression to what’s intended.

If you saw a window sign for ‘homemade’ stew or a label promising ‘delicious’ waffles, would the punctuation affect how you imagine the food? What about a cosmetic product that’s ‘good’ for your hair, or a claim that a service is ‘free’?

All the examples are real, found in the “Quotation Mark” Abuse pool on Flickr. My post presents the case for the defence, then provides some truly puzzling examples.

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Patterns of consonant doubling looks at whether and when to double consonants at the end of suffixed words. Fluent speakers, who tend to have a feel for the rules,

know that nod forms nodded and red redder (doubling the d), yet brood forms brooded and dead deader (no doubling). Turning flop into an adjective by adding the suffix -y gives us floppy, doubling the p, but soap becomes soapy, with no doubling.

Vowels play an important role. Notice the short vowel in nod and flop and the relatively long ones in brood and soap. Short vowels tend to mean we double the final consonant; long vowels tend to mean we don’t. The latter are often detectable by the word’s ending with e after a consonant: compare mop (mopped) and mope (moped), tap (tapped) and tape (taped), pin (pinned) and pine (pined), and similar pairs.

The article goes on to explain the role played by syllable stress (compare offered and referred), notes exceptions and exceptions to the exceptions, and concludes with the best possible rule for dealing with this messy area.

Your thoughts, as always, are welcome here or at Macmillan; older articles on words and language are available in the archive.


An European vs. A European

March 24, 2014

E. P. Thompson’s magisterial History of the English Working Class (1963) contains a short, innocuous phrase that nonetheless pulled me up short: “The population ‘explosion’ can be seen as an European phenomenon”. Then later, the same formulation: “the materials for an European and a British frame of reference”.

I don’t remember ever hearing a native English speaker – which Thompson is – say an European, but that doesn’t necessarily mean much. It may be a generational thing, among other factors.

The OED includes several standard pronunciations, all starting with [j] – the “y” sound of you, aka the voiced palatal approximant – which would ordinarily be preceded by “a”, not “an”. But English inherited the word from French Européen (from Latin, from Greek), which begins with a vowel sound, not a [j].

This may explain the gradual switch in both UK and US English, if not the timing (click to enlarge):

google ngram viewer - a european vs an european us and uk english

Or maybe someone better informed on these matters will edify us in the comments.

The inexorable decline of an European is confirmed by a search in COHA, whose most recent example is decades old (“convening of an European constitutional convention”, Christian Science Monitor, 1952). A comparison with GloWbE, however, shows it’s not unheard of in unedited (or unprofessionally edited) writing around the world:

an european in coha vs. glowbe corpus comparison

A search on Twitter shows likewise, though a brief examination of the results suggests it’s mainly non-native English speakers who use it.

Have you seen or heard, or do you say, an European? What do you make of such an usage?


I’m on [verb]

January 14, 2014

The English language has no future tense. To refer to the future, we use various strategies with verbs in present tense (some of them auxiliaries):

I will run
I will be running
I shall run
I’m going to run
I am to run next
I’m running tomorrow
I run next Friday

Because we can conceptualise the future and it plays a big role in our lives, we talk about it often. Naturally, then, the ways we talk about it are subject to pressures of economy, resulting in contraction, e.g.:

I will run → I’ll run
I am going to run → I’m gonna/gon’ run
I’m gonna run → I’mna run → I’ma/Imma run

I’ll is acceptable in Standard English; gonna/gon’ and I’mna/I’ma/Imma are not, though you may see them in dialogue or informal writing or use some of them yourself in everyday speech – gonna is especially widespread.

Recently I came across another form: I’m on [verb]. It seems similar to I’ma and I’m gon’, but I don’t know exactly how or when it developed. Here’s the example I saw, in Elmore Leonard’s novel Mr. Paradise:

“You know who put the stuff on you?”

“Somebody close to me, his girlfriend’s punk-ass brother. Is how it goes. But listen, I’m on tell you something, I was scared.”

“I would be too,” Delsa said.

I’m on [verb] doesn’t appear to be common, at least in written English, though Google led me to this line from Kathryn Stockett’s The Help: “Today I’m on tell you bout a man from outer space.” And in GloWbE I found: “Law have mercy. I reckon I’m on do it.” (from ‘Entrepreneurs are a first world Phenomenon’ by John Egan).

Based on the few examples I’ve seen, my guess is that I’m on [verb], like I’ma, is originally and still chiefly AAVE. But I’m open to correction, and to other thoughts you might have on it. I’m on wait and see now.

Edit:

I forgot that Mark Liberman looked at this on Language Log a couple of years ago: ‘Gonna, gone, onna, a — on?‘. He begins with a different example from Elmore Leonard (“I’m on get you to the hospital”, from Raylan), and links to an older post, ‘”on” time’, that deals with the same passage I quote above.

Both posts offer helpful analysis of the construction and its various pronunciations and spellings. Thanks to @f_moncomble for the reminder.

Update:

Elmore Leonard’s book Stick (1983) has another spelling:

Barry said, somewhat louder, “Well, Cece, it’s up to you. I’m going to ask you once more to leave quietly.”

“And I’m own ask you to bite this,” Cecil said…


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