Wack v. whack, and choosing enthusing

October 15, 2014

I have two new posts up at Macmillan Dictionary Blog. The wacky world of ‘wack’ and ‘whack’ looks briefly at these similar (and sometimes overlapping) words with many meanings in informal usage:

Whack meaning ‘hit’, as a noun and verb, is centuries old but remains informal compared to such synonyms as strike, blow, and knock. It may be onomatopoeic in origin, which is why it’s used as a sound effect in comic books and the old Batman TV show. It also has the related meaning ‘kill’, for example in criminal slang.

Wack emerged more recently as a back-formation from wacky. Initially it was a noun used to refer to a crazy or eccentric person – He’s a real wack – with wacko and whacko emerging as slangy offshoots. This was followed by adjectival wack meaning bad, unfashionable, stupid or of low quality, as in the anti-drugs slogan Crack is wack.

I go on to describe some of the ways the two words are used, and the possible limits of their interchangeability.

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Enthusing about freedom of usage considers (and defends) the much-maligned back-formation enthuse:

Lots of words and usages are criticised or considered ‘incorrect’ when really they’re just colloquial, relatively new, or unsuited to formal use. As Michael Rundell wrote recently, ‘what might be inappropriate in a very formal setting may be perfectly acceptable in a conversation between friends’. . . .

What one generation finds ignorant or ridiculous, the next might adopt without fuss. Enthuse retains a semblance of impropriety, and is still frowned on by conservative writers and readers. Others, myself included, may have nothing against it but prefer periphrastic alternatives like ‘show enthusiasm’ or ‘be enthusiastic’.

The post details some of the criticism and commentary enthuse has received, and summarises its status in different varieties of English.

Older posts are available in my Macmillan Dictionary Blog archive.


Non-life-threatening unselfconscious hyphens

October 10, 2014

Happy the reader who is unselfconscious about hyphens. Or is it unself-conscious? Un-selfconscious? When we add a prefix to a word that’s already (sometimes) hyphenated, it’s not always obvious whether and where a hyphen should go in the new compound. Tastes differ. Even un-self-conscious has its advocates.

I’m all for the solid, unambiguous unselfconscious, recommended by the Oxford Manual of Style among others. But different compounds raise different issues, and there’s variation and disagreement in each case over which style works best. That may be understating it: Fowler referred to “chaos” and “humiliation” in the prevailing use of hyphens.

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Hobby, hobbier, hobbiest hobbyists

October 3, 2014

I’m making my way erratically through Robert Crais’s back catalogue of detective fiction, and today in Demolition Angel (Orion, 2000) happened upon an unusual misspelling:

robert crais - demolition angel - Orion books - hobbyists hobbiests typo

Hobbiests! I almost read right past it. But once a proofreader, etc.

Obviously it should be hobbyists, meaning people devoted to a hobby. Hobbiest looks like a superlative adjective – “the most hobby”. But the two words are pronounced very similarly or identically, and many more words end in -iest than -yist, so you can see how the non-standard form might have materialised.

Although hobbiest has yet to appear as a variant spelling in any of the major dictionaries, a Google search shows it to be common in unedited writing. This is the first time I remember seeing it in a published book. Proofreaders, en garde: lobbiest may be next.

Edit: Here it is again, later in the book, this time in the singular.

robert crais - demolition angel - Orion books - hobbyists hobbiests typo 2


Sleeveen language in Ireland

October 1, 2014

In an article in the Irish Independent this week on privatisation fears and political shenanigans, Gene Kerrigan used a great word borrowed (and anglicised) from the Gaelic:

Is it really okay for the Taoiseach [Irish prime minister] to do what he did, then he makes a non-apology and everyone moves on?

Did Enda Kenny lie to us?

You won’t find a straightforward statement in which he said he had nothing to do with the stroke. Instead, he said, “ministers are free to make nominations to particular boards”. Sleeveen language. Deliberately deceptive, while taking pains not to formally lie.

A sleeveen is a sly, smooth-tongued person, a rogue or a trickster. Oxford Dictionaries defines it as “an untrustworthy or cunning person”, Collins says it refers to “a sly obsequious smooth-tongued person”, while Yeats glossed it as a “mean fellow”. You get the idea.

Despite appearances it can be used affectionately, like most Irish insults, but this is obviously not the case above, nor is it normally.

Sleeveen comes from Irish slíbhín “sly person”, to which Dinneen adds slighbhín. The Irish words’ s can be closer to /ʃ/ “sh”, so the spelling shleeveen is also used – as are sleveen, sleiveen, and slieveen. It’s often used in political contexts, and, like smacht, occasionally makes the headlines:

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Broadcast(ed), critical critiques, and twigging

September 23, 2014

Every other Monday I have a new post at Macmillan Dictionary Blog. It’s several weeks since I reported on this, so here are excerpts from, and links to, the last three.

Broadcast(ed) and forecast(ed) considers the variation in past tense forms of these sometimes-irregular verbs, and what their users and usage authorities have to say about them:

Most people use the shorter, uninflected past-tense forms forecast and broadcast, just as we say an actor was cast in a role, not *casted. Forecasted and broadcasted surged in popularity in the first half of the 20th century, but they are now minority usages.

Forecast and broadcast arose by adding a prefix to cast, and so the argument goes that we shouldn’t say forecasted or broadcasted any more than we would say *casted. But people who choose them may be verbing the nouns forecast and broadcast, independent of the cast–cast–cast paradigm. This would give them more licence to add the -ed suffix. [Read on]

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A critique of ‘criticism’ compares criticise and critique and their associated nouns – words with overlapping meanings but markedly different tones. I begin with criticise and criticism:

The two senses of these words – one judgemental and fault-finding, the other neutral and evaluative – exist side by side in modern English, though the balance is uneven. With set phrases like literary criticism and film criticism, the analytical sense is a given. But more often the word is used negatively (He can’t take criticism), and the same goes for criticise.

When we express an opinion, we usually want to avoid giving offence – and when we offer criticism, the chances of doing so are considerable. So language has many strategies for being polite. . . . Critique probably grew in popularity as a result of criticise gaining pejorative connotations. [Read on]

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Finally, Can you twig it? looks at an informal word of uncertain origins, and examines the possibility of an Irish etymology:

At an early age in Ireland I learned the Irish word tuig, meaning ‘understand’, often used in common phrases like An dtuigeann tú? (‘Do you understand?’). You can hear several regional pronunciations of the word at the excellent Irish dictionary website Foclóir.ie. Comparing tuig with twig we find they sound alike and mean similar things. Of course, this could simply be coincidental – but the correspondence, while inconclusive, is certainly suggestive.

Terence Dolan’s Dictionary of Hiberno-English says this Irish derivation for twig is possible, while Loreto Todd’s Green English says it ‘may well’ be the origin. Bernard Share’s Slanguage is less convinced, indicating instead that the two words have been confused. [Read on]

The full archive of my posts for Macmillan is available here.


Link love: language (59)

September 7, 2014

Link love is back! I took a break from this regular feature a year ago, for reasons, but never intended that break to be permanent. So here’s a selection of language-related articles and other material that caught my eye over the last while. It’s a bumper crop.

10 words that are badly broken.

How do you rhyme in a sign language?

What to say to peevers.

Podcast on accent diversity and prejudice (22 min.).

How do our brains treat metaphors and idioms?

Sending text messages in calligraphy.

When nouns verb oddly.

Ammosexual.

The defensive/impatient use of Look.

What were medieval scriptoria really like?

Timeline of 870 madness-related slang terms.

De-extinction: when words come back from the dead.

Who can save Ayapaneco?

The fevered art of book blurbing.

Google’s global ‘font family‘.

On loanwords and the Dictionary of Untranslatables.

The strange hidden logic (not hidden strange logic) of adjective order.

For a president today, talkin’ down is speaking American.

Unpacking America and Americans.

The origins of bum’s rush.

The problem of socialised male speech dominance.

Graphing the frequency of English letters and their position in words.

A good podcast on linguistic relativity.

On the birth of italics.

Crowdsourcing linguistic explanations.

Stand-up comedy in a second language.

Samuel Beckett and the voices in our minds.

Comparing the language of climate change in Germany and the US.

10 ‘grammar rules’ it’s OK to break.

The bodacious language of Bill & Ted.

Microaggressions in metacommunication.

Lovecraft and the art of describing the indescribable.

Why a painting in the White House has a deliberate spelling error.

How slang wilding was used to uphold a narrative of race and crime.

:) vs. :-) – Stylistic variation in Twitter emoticons (PDF).

Is erk related to oik?

Learning the language of love, 1777.

Interesting interview with Games of Thronesresident conlanger.

Also, GoT is more linguistically sophisticated than you might think.

Against editors? Make that For writers.

What goes in a dictionary when the dictionary is online?

A list of words coined (or notably used) by Edgar Allan Poe.

Recreating silent-film typography.

How to market a dictionary, 1970s-style.

That will do for now. If you’ve the appetite and time for more, you can browse the language links archive, or visit some blogs and sites linked in the sidebar – they’re all good. You can also follow me on Twitter – on the days I’m there I usually post a few links, among other things.

One last thing, lest it get lost in a list of ling-lust: the Speculative Grammarian book, which I reviewed positively last year as a feast of satirical linguistics, is now available as a PDF for $5.95 – or $4.95 for Sentence first readers.


Word frequency game

August 13, 2014

The Red Words Game from Macmillan Dictionary is a new and addictive bit of fun that tests your awareness of word frequencies. It’s named after a feature of the dictionary, the so-called red words and stars.

The idea is that the core vocabulary of English has 7500 ‘red words’, comprising 90% of the language in Macmillan’s huge general corpus.¹ Macmillan Dictionary gives red words special treatment, describing their grammar, collocations, register, and so on. Three-star words are the 2500 most common, two-star words are next, then one-star words.

To play the game you guess how many stars a random series of words have, for 90 seconds. I’ve been scoring 225–300, but to get more than 300 I’d need more luck and free time than I have at the moment. It’s just maddening enough to make you feel hard done by and want another go, like when I had 250 points with 30 seconds to go and got every answer wrong after that.

There are bonus points for fast answers, so don’t dally. The tricky bit is not letting the answers distract you (implication has three stars, anonymous just one!?).² Watch out too for grammatical class, which appears under the word, as sometimes it will affect your answer. For example, the verb find has three stars but the noun has just one.

If you want to pass a few entertaining minutes, go play. It’s even subliminally educational.

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¹ Link and description updated for accuracy.

² I suspect anonymous will gain a star or two when more recent data are included in the categorisation.


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