To look more broadly at these ripples in the collective lexicon, we can turn to big data in the form of language corpora. One of these, the Spoken British National Corpus, allows many kinds of linguistic research, such as studying how English vocabulary and regional dialects are shifting. The project was in the news recently with a story about ‘words we no longer use’. The headline exaggerates, but there are indeed words we use much less – or much more – than we did twenty years ago. The corpus data can illustrate how our lives have changed over the years.
TL;DR: Abbreviations FTW is an overview of the different types of abbreviations and the different ways we style and use them:
Efficiency is intrinsic to communication, and can drive language change. Set phrases that are used repeatedly are commonly abbreviated, as they save people time and effort. In digital communication, abbreviations may also serve as tribal markers – tfw users are in the know about internet lingo. Ikr. Sometimes, as in the case of lol, abbreviations may even undergo grammatical transformation.
Quean is a notable word in its own right. It comes from Old English cwene, meaning ‘woman’, from Proto-Indo-European *gwen-, which is also the root of queen, misogyny, and gynaecology. In English, cwene was originally a neutral word; but like many terms of female reference, it gradually took on negative senses and connotations, coming to mean ‘impudent woman’, ‘hussy’, and ‘prostitute’. In Scots it has retained its original neutral sense.
Each post is bite-sized, readable in 2–3 minutes. For more, you can browse the full archive.
Lewis Carroll was an enthusiastic and prolific letter-writer. On New Year’s Day in 1861, aged 28, he began to keep a register of the letters he sent, and the last one it records is number 98,721. The full tally, forever unknown, is probably much higher.
The Selected Letters of Lewis Carroll (Macmillan Press, 1982), edited by Morton Cohen, has some items of interest on the subject of language use. For example: Writing to Edith Rix on 15 January 1886, Carroll teases her about a spelling error and about her choice of preposition after different: she uses to, but he favours – insists on – from:
Now I come to your letter dated December 22nd, and must scold you for saying that my solution of the problem was “quite different to all common ways of doing it”: if you think that’s good English, well and good; but I must beg to differ to you, and to hope you will never write me a sentence similar from this again. However, “worse remains behind”; and if you deliberately intend in future, when writing to me about one of England’s greatest poets, to call him “Shelly”, then all I can say is, that you and I will have to quarrel! Be warned in time.
Thus the unfacts, did we possess them, are too imprecisely few to warrant our certitude —James Joyce, Finnegans Wake
As a copy-editor I try to abide by the typographic oath: First, do no harm. When you’re making changes to a writer’s text, whatever you do, don’t introduce an error. But at the risk of undermining that solid principle, there is an occasional exception.
Enter James Joyce.
The length and complexity of Ulysses, and the difficulties of its publication, mean that many subtly different versions of the text exist. The first legal edition in the US, which became its standard edition for decades, was based on a pirated copy, for example.
Typographical errors arose inevitably from multiple sources; complicating things further is the fact that some ‘errors’ were deliberate but wrongly ‘corrected’ by printers or editors. And then there were all those rewrites and updates by the author while the thing was being serialised. And afterwards. Brenda Maddox, in Nora, notes that Joyce wrote ‘as much as one third of the final text of Ulysses in the form of corrections or additions in the margins of the proof sheets’.
So there is no ideal, ‘master’ text; in fact Joyce scholars fight over the best way to decide what this even means.
On a recent trip to London I visited 17 Gough Square, better known as Dr Johnson’s House. Samuel Johnson compiled his great Dictionary of 1755 in this tall Georgian building, and I’ve always wanted to visit. As I’m currently writing a column on the subject (ish), the timing was apt.
On my way there I passed a Furnival Street and wondered if it was named after another lexicographer – but that Furnivall has two l’s in his name, so I guess not.
The house is ‘one of a very few of its age to survive in the City of London, and the only one of Johnson’s eighteen London homes to have done so’, Henry Hitchings writes in his terrific book Defining the World (aka Dr Johnson’s Dictionary). Here’s the plaque outside:
Upstairs, a stained-glass window of Johnson overlooks the square:
I write a column on language for rare-books journal The Time Traveller, in which Samuel Johnson and his Dictionary have a recurring role. The first article looked at the semantically spectacular history of nice; the second, posted below, is on the etymology of curmudgeon and an infamous lexicographic flub.
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A Notorious ‘Curmudgeon’
In issue 1 of The Time Traveller I described the radical changes the word nice has undergone, and how this prompted resistance and criticism. Because linguistic change is inevitable, constant, and disorienting, language usage attracts its fair share of curmudgeons. It’s a marvellous word, curmudgeon: the kind that Dickens might have made into an affectionately mocking surname. Yet despite its familiarity and popularity, it hides a mystery and a certain notoriety.
We begin, as before, with Samuel Johnson, critic, occasional curmudgeon, and lexicographer extraordinaire. In his Dictionary he defined curmudgeon as ‘an avaricious churlish fellow; a miser; a niggard; a churl; a griper’. Several things stand out about this sequence.
The news website Vox has produced some good videos on linguistic topics, which can be found amidst their many other clips. Its latest one looks at the vexed question of colour names and categories in different languages, and in 6½ minutes it offers a decent summary:
In February I discussed a usage item that popped up in a crime novel by Michael Connelly (‘Harry Bosch, trainee prescriptivist’). In fact there were a couple of related items: the use of done for finished (‘I’m done eating’), and the use of done in phrases like I’m done my work, as opposed to I’ve done my work or I’m done with my work.
The first of these is really a non-issue, peeved about only by peevers who love peeving peevily. The second one is more interesting, as it’s a dialectal usage apparently little known beyond those areas where it’s perfectly normal. I’m done my homework may grate on ears unused to it, but it’s in no way wrong: it’s just nonstandard.
The next month, by complete coincidence, I encountered the construction again, this time in non-fiction. Even better, it came with lexicographic expertise and sociolinguistic commentary, because the source was Word By Word: The Secret Life of Dictionaries by Kory Stamper, a writer and editor of dictionaries at Merriam-Webster.
Proofing a formal report that uses "give out" in the Irish sense "scold". Shows how integrated it is in the dialect, that it went unnoticed. 10 hours ago
Posted by Stan Carey 
