If Finnish is Godzilla, what creature is English?

February 2, 2016

This image has been floating around the internet for a while, but I don’t think I’ve seen it on a language blog. I don’t know who created it, but a search on TinEye suggests it originated on 9gag in 2014 as a two-part visual joke comparing Swedish and German grammar, before being variously (and anonymously) modified and extended.

[click to enlarge]

Scandinavian grammar - Swedish Danish Norwegian Icelandic Finnish kitten cat tiger alien godzilla

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Ye, youse and yiz in Irish English speech

January 25, 2016

In modern standard English, you as second person pronoun serves a multitude of purposes: singular and plural, subject and object, formal and informal. It wasn’t always so.

Centuries ago the language had singular thou and thee, plural ye and you. The numerical distinction then changed to one of register: thou and thee for familiar use and for speaking to children or people of lower social standing; ye and you for marking courtesy or respect.

Gradually ye and you shifted to the default position, supplanting thou and thee, which were marginalised to regional, religious, and archaic use. Then ye began to wane, for a variety of reasons, until you had taken centre stage as the pronoun of choice in singular and plural uses in all registers – but not all dialects.

Hiberno-English is one dialect where ye is found: I grew up using it in the west of Ireland, and I find it extremely useful. Ye behaves much like you: we have yeer ‘your’, yeers ‘yours’, ye’ll ‘you’ll’, ye’d ‘you’d’, ye’ve ‘you’ve’, ye’re ‘you’re’, and yeerselves ‘yourselves’ (all plural).

These are far more often spoken than written, so they’re less codified than the standard paradigm for you. But I would still consider ye’re ‘your’ in this Irish Examiner article an error (yere without the apostrophe is less wayward):

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What will the future of ‘like’ bilaik?

December 18, 2015

The rise of quotative like (I was like, What?) has been swift and striking since it emerged a few decades ago. No word stays exactly the same, but the changes and extensions to like have been more noticeable than most on account of its versatility, popularity, and prominence.

So what will happen to like in the future? More change, if these tweets are anything to go by:

If you click on Sarah’s first tweet (or its date, in some browsers) you can read more follow-up discussion.

I would have been confused by what the child meant, and I’d probably have exhausted her patience long before figuring it out. The fact that Sarah Shulist is a linguistic anthropologist and Alexandra D’Arcy is a sociolinguist (who has done research on like) may have helped them infer the child’s intent more quickly in each case.

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Due to Alice in Blenderland

December 16, 2015

I have two new posts up at Macmillan Dictionary Blog. Due to general usage, this phrase is fine looks at the compound preposition due to, my use of which in the post title would be considered ungrammatical by some prescriptivists:

They say due must function as an adjective, which it commonly does after a linking verb. So they would accept a phrase like: ‘Our delay was due to traffic’, but not: ‘We were delayed due to traffic’. Fowler considered the latter usage ‘illiterate’ and ‘impossible’, while Eric Partridge said it was ‘not acceptable’.

These judgements, which have been inherited by some of today’s critics, may seem unnecessarily restrictive to you. They certainly do to me, and to the millions of English speakers who for centuries have ignored the ‘rule’. Writers, too.

The post goes on to show a change in attitudes in favour of the usage, and why there’s nothing grammatically wrong with it anyway.

*

Humpty Dumpty and Alice through the looking-glass portmanteau - John TennielAlice in Blenderland completes my series of posts on Alice in Wonderland to mark the 150th anniversary of the book’s publication by Macmillan in 1865. It reviews the portmanteau words (aka blends) that Lewis Carroll coined:

Carroll’s famous nonsense poem ‘Jabberwocky’, which features in Through the Looking-Glass, supplies several examples. Some have entered general use: chortle, for instance, is an expressive term blending chuckle and snort; galumph (appearing in the poem as galumphing) may derive from gallop and triumphant; and burble combines bleat, murmur, and warble – though Carroll could not recall creating it this way, and burble has also been a variant spelling of bubble since the fourteenth century.

I then look at some of Carroll’s lesser known portmanteaus and some lesser liked ones that he had nothing to do with – at least not directly.

My older posts on words and language for Macmillan Dictionary can be viewed here.


What should we call ‘Grammar Nazis’?

December 1, 2015

For some people the answer is in the question. Certainly Grammar Nazi is a popular and catchy phrase for referring to people who decry errors of grammar – or what they think are errors, or grammar – and who correct other people’s language unsolicited.

This looser, more general sense of nazi is well established in informal English. I’m not trying to outlaw it – that would make me a ‘nazi’ nazi. But personally I don’t like the term unless it’s used with heavy irony, because it cheapens and trivialises the horrific historical events that it blithely hijacks for rhetorical effect.

This comic by Kris Wilson slyly turns the tables:

cyanide and happiness - explosm - grammar nazi comic strip

Whatever about using Nazi hyperbolically in political contexts to refer to a non-actual-Nazi behaving in a way that may be construed as fascist, I can’t quite get my head around its casual use to refer to attitudes to language use. It has become conventional to the point where many people self-identify, even proudly, as a ‘grammar Nazi’.

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‘Because X’ in Finnish and Norwegian, because borrowing

November 20, 2015

Languages often borrow from one another: it’s a common source of linguistic growth and change. Normally what gets borrowed is words, called ‘loans’, ‘loanwords’, or ‘borrowings’ (though the terms suggest eventual return, which isn’t how it works). Any word that isn’t a loanword is a native word.

English is a frequent borrower, being full of loanwords from many other languages. This ability to integrate foreign forms is one reason for its success. And it goes both ways: because of English’s status and reach, it’s a common ‘donor language’ for others. The World Loanword Database is a useful resource on the phenomenon.

Less often, other linguistic elements are borrowed, like grammatical structures or pronunciations. An example of the former is because X, a popular construction in informal English.* I first wrote about because X in 2013, elsewhere picking it as my word of the year (the American Dialect Society later did likewise). Such was its impact that the phrase was discussed not just by linguists but by more mainstream outlets.

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English is not going to the dogs

November 17, 2015

Those of you interested in the ‘usage wars’ I mentioned in my post about descriptivism and editing may want to set a couple of hours aside sometime to watch this lively public debate on the topic hosted last year by Intelligence Squared.

The loaded title, ‘Between You and I the English Language Is Going to the Dogs’, invites the sort of bewailing you hear from linguistic conservatives worried that semantic drift, slangy innovation and nonstandard usage are imperilling English. But two members of the four-person panel counter this alarmist clamour.

Speakers for the motion are Simon Heffer, who reliably conflates standard English with ‘correct’ English, and John Humphrys, who rambles sometimes amiably but seems a bit out of his depth.

Speakers against the motion are Mary Beard, who brings a welcome dose of perspective (and non-maleness) to proceedings, and Oliver Kamm, whose excellent book Accidence Will Happen: The Non-Pedantic Guide to English Usage tipped me off about the debate. Kamm is articulate and persuasive and has a nice line in polite exasperation: ‘Gentlemen, get a grip!’

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