The Usage Panel is dead, long live the Usage Panel!

If you write (and you probably do), you’ll inevitably be unsure about English usage sometimes. Can refute mean ‘reject’? How should I use whom? Is expresso wrong? Is snuck? What’s the difference between militate and mitigate? Can they be singular? Can I say drive slow? Very unique? What does beg the question really mean?

The language has so many areas of dispute and confusion that we have to turn to authorities for the answer, and this raises – not begs – the questions of who these authorities are and why we should trust them. Last year, in an A–Z of English usage myths, I wrote:

We are (often to our detriment) a rule-loving species, uncomfortable with uncertainty and variation unless we resolve not to be. We defer to authority but are poor judges of what constitutes good varieties of it.

There is no official authority in English, despite occasional misguided attempts to create an Academy like in French. Some people, by virtue of their learning and trade, gain a measure of authority; they may be grammarians, linguists, editors, lexicographers, columnists, and so on. But they often disagree. Look up different usage manuals, dictionaries, or articles, and you’ll find plenty of mutual dissent.

For those who want categorical answers to knotty questions of grammar, usage, or style, these discrepancies between experts can be frustrating, and may be dubiously resolved by picking one authority and sticking to it. For the linguistically curious who don’t need a quick answer before a deadline hits, these grey areas can be fascinating, especially when traced through history.

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Presently ambiguous, and till vs. until

In my language column at Macmillan Dictionary, I’ve been writing about whether presently is ambiguous, as some authorities warn, and about the uses of and differences between till, until, and their abbreviations.

Ambiguity is presently unlikely shows my conclusion in the title, but the detail is worth examining. I’m usually reluctant to warn against using certain words or phrases, and so it is with presently in its primary sense of ‘currently’:

Bill Walsh, in Lapsing into a Comma, recommends avoiding it as a synonym for currently. So does R.L. Trask, in Mind the Gap. Harry Shaw, in his Dictionary of Problem Words and Expressions, calls the usage ‘inaccurate’, while Garner’s Modern English Usage finds it ‘poor’ because it causes ambiguity. . . .

[But] if I tell you that something is happening presently, you’ll naturally infer that it’s happening now. If I tell you it will happen presently, you’ll infer that it will happen in the near future. The verb tense and the broader context tend to establish what is meant.

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The difference between till and until is something I’ve been asked about a few times over the years. In TIL about till and until, I sort out these synonyms and related forms, describing how they differ, how they don’t, where you can use them, and which ones to avoid. There’s also a bit of history:

People often assume that till is simply an abbreviation of until, but in fact till is a few centuries older. It shows up in the runic inscription on the ancient Ruthwell Cross in Scotland, where its original sense was the same as ‘to’.

There is an abbreviation of until: ’til. Some critics reject it, because we already have till. They may even call it incorrect. ’Till is still more disparaged, because the apostrophe is superfluous, and although this form was used by George Washington, of all people, I can’t recommend it. Apostrophe-less til is occasionally used, but spelling-wise it falls between the two stools of till and ’til.

Why do we stand on our tiptoes and not our toetips?

Compounds are everywhere in English vocabulary, formed by combining two or more independent elements (‘free morphemes’, in linguistic jargon). They can be nouns (living room), verbs (download), adjectives (fun-loving), and other types. They can also be open, closed, or hyphenated, as shown.

The semantic relationship between the parts of a compound varies from one to another. Many are directly compositional; some require additional knowledge. When one element is part of the other, the main one tends to come first and be phonetically stressed: cliff edge, treetop, shoelaces, and so on.

So if we’re talking about the tip or tips of something, that’s the order we expect. Sure enough, there are fingertips, arrow tips, ear tips, horn tips, leaf tips, nerve tips, wingtips, and many more obscure compounds of the same structure. Which leads me to the present puzzle, which I aired first on Twitter:

Why do we stand on our tiptoes and not our toetips?

— Stan Carey (@StanCarey) September 27, 2018

Interview with the OED

Some weeks ago I made a visual poem from book spines to mark the 90th anniversary of the first edition of the Oxford English Dictionary. The OED editors liked it enough to republish it on their website; they also asked me a few things about language, dictionaries, and book spine poetry.

You can read my short interview on the new OED blog. If dictionaries and word history interest you, I recommend the rest of the blog – click the image below – which looks at the OED‘s reception in 1928, the work of editors past and present, and dialect words from around the world, among other things.

For more book spine poems, aka bookmashes, see the archive.

This spine poem was made by @StanCarey to mark the OED's 90 year anniversary. What a lovely birthday present! We asked Stan a few questions about language, dictionaries, and his poetry: https://t.co/P7r5ekoq3Q #OED90 pic.twitter.com/AdC3eFiLZF

— The OED (@OED) June 1, 2018

 

Verbing and nouning are fine and here’s a quiz

If verbing weirds language, nouning is its weirdification.

— Stan Carey (@StanCarey) April 11, 2013

New words enter English in a variety of ways. They may be imported (import); compounded (download); clipped (totes); affixed (globalisation), acronymised (radar); blended (snowmageddon); back-formed (donate); reduplicated (mishmash); coined (blurb); or formed from onomatopoeia (cuckoo), proper nouns (algorithm), folk etymology (shamefaced), or semantic shift (nice, starve).

Another important source is when a word in one grammatical class is used in another: this is called functional shift, because the word shifts function. A noun becomes an adjective, a verb becomes a noun, and so on. It’s also called conversion and zero derivation – because a new word is derived without any inflection or affixation.

Linguistic conservatives often object to the process. At every Olympic games, for example, people complain about medal being verbed, blithely unaware that the usage dates to at least 1860, when W. M. Thackeray wrote, ‘Irving went home medalled by the king’. From my A–Z of English usage myths:

Variant usages are plenty

My monthly language column at Macmillan Dictionary Blog continues this year, and I haven’t reported on it since November. So here are the latest four items I’ve written there, with excerpts to give you a flavour:

1. Macmillan’s thesaurus is a bit different, unusual, special, and unique: This post showcases unique features of the site’s thesaurus:

Some words, like software, don’t have many synonyms, but there are many types of software. If you look it up in Macmillan’s thesaurus you’ll find a list of examples of software, like CMS and patch. … These lists of related words help English language learners. Under suffix you’ll see a list of suffixes and their meanings, so anyone still learning English morphology can see at a glance what various suffixes mean and how they are used, such as –able, –ese, –ify, –proof, and –ward. Related words can also be useful for fiction writers seeking authentic detail on an area they’re not versed in. For everyone else, they’re interesting to browse.

2. Disagreements are plenty: What can dictionary entries tell us about linguistic attitudes? I examine Samuel Johnson’s reaction to a certain use of plenty:

‘It is used, I think barbarously, for plentiful.’ The usage is supported with two citations, one of them from Shakespeare’s Henry IV: ‘If reasons were as plenty as blackberries, I would give no man a reason upon compulsion.’ ‘I think barbarously’ is an interesting aside. It shows how personal feelings can override impartiality. Johnson held Shakespeare in great esteem, but even with Johnson’s command of poetry and his knowledge of Shakespeare’s linguistic genius and innovation, he cannot accept the playwright’s use of plenty to mean ‘plentiful’. In his view, it is ‘barbarous’. But […] the phrase ‘I think’ is a telling concession.

3. Loath(e) to get it wrong: Even native English speakers are often unsure of the difference between loath and loathe. Does it matter? I take a look:

Pronunciation helps to distinguish the two words, at least in most cases. In their Macmillan Dictionary entries, audio files and IPA tell us that loath is pronounced /ləʊθ/ (UK) or /loʊθ/ (US), to rhyme with ‘both’, and loathe is pronounced /ləʊð/ (UK) or /loʊð/ (US), to rhyme with ‘clothe’. This follows a phonological pattern in English, where words ending in –the take a voiced syllable: breathe, soothe, lithe, bathe, and so on, while those ending in –th are usually unvoiced. The reality is a bit messier.

4. Would you like an espresso – or an expresso? I review the status of a much-used, and much-loathed, variant pronunciation:

Another reason for the popularity of expresso is that it looks and sounds more like an English word than espresso does – albeit an imported one, with that ‘o’ at the end. Aside from esprit, another Romance-language borrowing, espresso is the only word in common use in English that begins with espr-, whereas expr- is very familiar from words like express and expression. So people unconcerned with etymology are unlikely to notice anything wrong with expresso. … Usage purists are not happy about expresso being in common use. To them, it’s wrong, end of story, and anyone who uses the word is making a careless linguistic error and a social faux pas.

Thanks, as always, for reading. Comments are welcome at either location.

[Photo © Nevit Dilmen licensed under Creative Commons Attribution-Share Alike 3.0 Unported]

Hyphenating my little ass-car

There’s an xkcd cartoon popular among copy-editors because it combines fussiness over hyphens with gently risqué humour:

Language Log, meeting language lovers’ most niche desires and then some, has a bibliography of suffixal –ass as an intensive modifier. In this vein, you’d expect the hyphen in little ass car to go between the first two words unless you were being seedy, or xkcdy. But there’s an exception, and it’s not rude at all.

Irish author Pádraic Ó Conaire, in his short story collection Field and Fair (Mercier Press, 1966; tr. Cormac Breathnach), refers several times to his ass-car, by which he means his donkey and cart. One story, about how the author came to befriend the donkey, is titled ‘My Little Black Ass’. It’s hard to read that now and not find alternative meanings rubbing up against the intended one.