A language so precise and secret

November 24, 2015

margaret atwood poems 1976-1986 virago book coverI recently read Margaret Atwood’s Poems 1976–1986, a collection published by Virago Press. While doing so I tweeted an excerpt on her birthday, before I knew it was her birthday: a happy synchronicity. Below are some lines that deal explicitly with language and words.

From ‘Four Small Elegies’:

A language is not words only,
it is the stories
that are told in it,
the stories that are never told.

This verse echoes something Muriel Rukeyser once wrote (‘The universe is made of stories, / not of atoms’), but with a lurch into loss. Atwood’s ‘Two-Headed Poems’ returns repeatedly to the subject of a language’s decline or supersession by another:

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Book spine poem: Broken words spoken here

August 18, 2015

New books mean a new book spine poem, aka bookmash. This one has a language theme.

[Click to enlarge]


stan carey - book spine poem - broken words spoken here

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A–Z of linguistics in rhyming couplets

July 2, 2015

Here’s a self-explanatory bit of silliness from Twitter yesterday. There were requests to assemble it somewhere, for convenience and posterity, so I thought I’d reproduce it on Sentence first.

I’ve replaced the quotation marks I used on Twitter with italics; other than that it’s identical. The tweets are all linked, so you can also read them by clicking on the date of this introductory one:



A is for ARBITRARY: a sound’s tie to meaning.
B is for BACK-FORMED, like dry-clean from dry-cleaning. Read the rest of this entry »

Book spine poem: Trespass in a Strange Room

June 14, 2015

A new book spine poem, aka bookmash, this one a mixture of recent reads and newly acquired to-be-reads. (Click to enlarge the photo.)


Trespass in a Strange Room

Trespass in a strange room –
Criminal shadows, a severed head,
John Brown’s body waiting for an angel,
Destination: morgue!


stan carey book spine poem - trespass in a strange room*

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Book spine poem: After the fire

March 26, 2015

New bookmash! This one’s a bit conflagrationary.

[click to enlarge]

stan carey book spine poem - after the fire

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Punctuating Yeats and reading writers’ minds

March 23, 2015

‘Yeats’s handwriting resembles a mouse’s electrocardiogram,’ writes the late Daniel Albright in his preamble to the marvellous Everyman Library edition of W. B. Yeats’ Poems, which he edited.

Albright gives a similarly forthright account of the poet’s spelling and punctuation, excerpted below. While acknowledging his debt to Richard Finneran, who oversaw a different collection of Yeats’s poems, Albright parts company from him in two ways:

First, he is more respectful of Yeats’s punctuation than I. He supposes […] that Yeats’s punctuation was rhetorical rather than grammatical, an imaginative attempt to notate breath-pauses, stresses, and so forth; and that the bizarre punctuation in some of Yeats’s later poems is due to the influence of experimental modernists such as T.S. Eliot and Laura Riding. I suppose that Yeats was too ignorant of punctuation to make his deviations from standard practice significant. Although Yeats surely wished to make his canon a text worthy of reverence, he conceived poetry as an experience of the ear, not of the eye. He could not spell even simple English words; he went to his grave using such forms as intreage [‘intrigue’] and proffesrship. His eyesight was so poor that he gave up fiction-writing because the proof-reading was too strenuous. Finally, Yeats himself admitted, ‘I do not understand stops. I write my work so completely for the ear that I feel helpless when I have to measure pauses by stops and commas’.

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Book spine poem: Unlocking the language

November 7, 2014

Bookmashing, for the uninitiated, is when you stack books so the titles on their spines form a poem, or a mini-story, etc. It also has the more transparent name book spine poetry. It’s a fun game – and challenge – for word lovers, and a great excuse to browse your bookshelves. You’ll see them in a new light.

I’ve made several bookmashes over the years, and would do them oftener if most of my books weren’t in storage. Usually there’s no special theme, but some have been explicitly linguistic, e.g. Evolution: the difference engine, Forest of symbols, The web of words, Ambient gestures, and Cat and Mouse Semantics. So today I imposed the restriction of only using books from the ‘language’ shelf:

[click to embiggen]

stan carey book spine poem bookmash - unlocking the language

Unlocking the language

The professor
And the madman
Defining the world,
Shady characters
Unlocking the English language –
Is that a fish
In your ear?


Thanks to the authors Simon Winchester, Henry Hitchings, Keith Houston, Robert Burchfield, and David Bellos. (I’ll try to be less gender-skewed next time.)

I got the idea originally from artist Nina Katchadourian, and it has spread to public radio and around the web. Last year a British drama group ran a bookmash competition, and now Jump! Mag (an educational magazine for children) is holding one for young readers.

Millie Slavidou, who set up the contest, has put several bookmashes on her Glossologics blog, which I wrote about last year. Seeing the idea featured in Jump! Mag prompted today’s simple effort, and I look forward to seeing any competition entries they make public. New players are always welcome.


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