Fans of James Joyce’s writing who haven’t read Anthony Burgess’s Here Comes Everybody (1965) might want to add it to their list. Anyone who has dipped into Joyce and remains interested but perhaps daunted by his later prose is likely to find it especially helpful.
Here’s an excerpt from an early chapter, on the comic–cosmic nature of Ulysses and the difficulty of that book and its successor Finnegans Wake, in which Joyce set out to put language to sleep:
‘Comic’ is the key-word, for Ulysses is a great comic novel – though comic in a tradition that has been obscured by ‘popular’ conceptions of comedy – P. G. Wodehouse, Richard Gordon and the rest. The comedy of Joyce is an aspect of the heroic: it shows man in relation to the whole cosmos, and the whole cosmos appears in his work symbolised in the whole of language. . . .