‘Making strange’ in Ireland

March 4, 2015

Claire Keegan’s beautiful novella Foster, expanded from a short story published in the New Yorker in 2010, has an idiom I remember hearing in childhood and only seldom since. The book’s narrator is a young girl in an unfamiliar place, accompanied here by a woman, Mrs Kinsella, with whom she is staying temporarily:

Out in the street, the sun feels strong again, blinding. Some part of me wishes it would go away, that it would cloud over so I could see properly. We meet people the woman knows. Some of these people stare at me and ask who I am. One of them has a new baby in a pushchair. Mrs Kinsella bends down and coos and he slobbers a little and starts to cry.

‘He’s making strange,’ the mother says. ‘Pay no heed.’

The verb phrase make strange means to act up or be nervous or shy, etc., when encountering a stranger or strange situation. It’s normally said of babies or small children, but not always.

Mary Morrissy’s story ‘Two China Dogs’, from her collection A Lazy Eye, uses the expression a couple of times:

A sullen nature might have compensated, but I was a sullen child. I would sit in the playpen, the toys ranged carefully outside, staring solemnly through the bars. I remember the strange distortions of my caged world. Huge legs and feet, my mother’s mottled calves, the glint of her copper hair as she bent to pick me up, her eyes the startled green of an angry cat’s bearing down on me. She complained that I made strange with people. But it was they who made strange with me. Neighbours would not bend over cooing into this pram, or if they did, they would suddenly withdraw, uncertain and embarrassed.

Claire Keegan - Foster - faber and faber book coverLike many expressions characteristic of Hiberno-English it seems to have been loaned from Irish, where coimhthíos a dhéanamh le duine literally means ‘to make strangeness with someone’, or to be shy or aloof in their presence; coimhthíos means strangeness, shyness, aloofness or alienation.

Another phrase, bheith deoranta le duine, means essentially the same thing with a different verb (be rather than make) and, said of adults, can also mean to be distant with someone.

John Banville, in The Untouchable, points to a sinister origin in folklore:

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Folktale diffusion and ethnolinguistic variation

February 6, 2013

I’ve been stop-starting my way happily through Celtic Fairy Tales and More Celtic Fairy Tales, two late-19thC collections by the great Australian folklorist Joseph Jacobs, combined in a plump Senate paperback and handsomely illustrated by John D. Batten:

Celtic Fairy Tales, ed. by Joseph Jacobs, illustrated by John D Batten

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