Uptalk in Surrey: The Twinning Hypothesis

Uptalk, also called upspeak, rising intonation, and (misleadingly) high-rising terminal, is where someone ends a statement as though it were a question? These two are for illustration? Uptalk is stereotypically associated with Australians, ‘Valley Girls’, and young women generally.

It’s also widely hated. Get people talking about their language peeves, and sooner or later uptalk will crop up. It has been described as an ‘annoying tic’ (The Smithsonian), ‘worse than vocal fry’ (Time), and as a ‘nasty habit’ in Psychology Today, which also worries that ‘statements and opinions will become extinct’. This is feverish doom-mongering.

Even Stephen Fry, normally a tolerant sort, linguistically, gave out about uptalk on UK comedy show Room 101, complaining invidiously that it had ‘invaded Britain entirely’. The host, Paul Merton, said it could be a politeness strategy, though he didn’t call it that, but Fry was having none of it (and went on to censure quotative like, which Merton also defended). Most of the audience found uptalk ‘deeply irritating’:

The Samuel Johnson notes: A notorious ‘curmudgeon’

I write a column on language for rare-books journal The Time Traveller, in which Samuel Johnson and his Dictionary have a recurring role. The first article looked at the semantically spectacular history of nice; the second, posted below, is on the etymology of curmudgeon and an infamous lexicographic flub.

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A Notorious ‘Curmudgeon’

In issue 1 of The Time Traveller I described the radical changes the word nice has undergone, and how this prompted resistance and criticism. Because linguistic change is inevitable, constant, and disorienting, language usage attracts its fair share of curmudgeons. It’s a marvellous word, curmudgeon: the kind that Dickens might have made into an affectionately mocking surname. Yet despite its familiarity and popularity, it hides a mystery and a certain notoriety.

We begin, as before, with Samuel Johnson, critic, occasional curmudgeon, and lexicographer extraordinaire. In his Dictionary he defined curmudgeon as ‘an avaricious churlish fellow; a miser; a niggard; a churl; a griper’. Several things stand out about this sequence.

‘I’m done my homework’, part II

In February I discussed a usage item that popped up in a crime novel by Michael Connelly (‘Harry Bosch, trainee prescriptivist’). In fact there were a couple of related items: the use of done for finished (‘I’m done eating’), and the use of done in phrases like I’m done my work, as opposed to I’ve done my work or I’m done with my work.

The first of these is really a non-issue, peeved about only by peevers who love peeving peevily. The second one is more interesting, as it’s a dialectal usage apparently little known beyond those areas where it’s perfectly normal. I’m done my homework may grate on ears unused to it, but it’s in no way wrong: it’s just nonstandard.

The next month, by complete coincidence, I encountered the construction again, this time in non-fiction. Even better, it came with lexicographic expertise and sociolinguistic commentary, because the source was Word By Word: The Secret Life of Dictionaries by Kory Stamper, a writer and editor of dictionaries at Merriam-Webster.

Dictionary matters

I have dictionaries on the brain – more than usual – having just read and reviewed Kory Stamper’s book Word by Word. So it’s a good time to share a couple of posts I wrote for the blog at Macmillan Dictionary, which, incidentally, underwent a makeover recently.

The first post has a self-explanatory title: What does it mean when a word is not in the dictionary?

No English dictionary includes every single word – not even the Oxford English Dictionary. . . . Nor does the OED – or any other dictionary – include every word from the many sublanguages, dialects, and specialist lingos: this would be an impossible task. Macmillan Dictionary, by contrast, includes historical words only if they’re still in common use. And because it’s primarily a learner’s dictionary, it forgoes obsolete usages altogether. Macmillan’s focus on contemporary language means that one of its strengths is how quickly it keeps up with the changes and new additions to English vocabulary.

The example I focus on is snowflake, in its non-weather-related sense, because it’s common enough that people are encountering it regularly and looking it up, but it’s also new enough that it’s not yet listed in most dictionaries.

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A world of English at Macmillan Dictionary looks at an ongoing series from Macmillan called Real World English. This is a set of videos and blog posts about dialectal variation in English vocabulary and pragmatics, especially between UK and US English in a work context.

One of the motifs of the Real World English series is that these varieties of English have different standards and conventions. None of them are necessarily more correct than any others, but what’s normal and obvious in one dialect may be obscure or ambiguous in another. Being aware of how various Englishes diverge in usage can help us improve our understanding of, and communication with, people who speak another variety. This is an increasingly important skill in work and social situations, now that telecommunications and internet technology have made the world smaller. We often communicate with people on several different continents every day, especially if we use social media.

The post goes on to discuss the range of dialects featured in the series or in other resources on the website, including Brazilian English, Indian English, Philippine English, and so on. You can also read older posts at my Macmillan Dictionary Blog archive.

Irishly having tea

Passing through the pleasingly named town of Gort on my way to the Burren recently, I popped in to a second-hand bookshop and picked up a couple of Brian Moore books I hadn’t read: Catholics and The Doctor’s Wife. Everything I’ve read by Moore has been time well spent, yet most people I ask have not read him, and many have not heard of him.

Catholics (1972) is more novella than novel, around 80 pages long in my Penguin paperback edition. Work won’t allow a single-sitting read today, so I’m taking bites from it on my breaks. The title is straightforwardly descriptive: a young American priest is sent from Rome to a remote island off the west coast of Ireland, where old and new Catholicism square up against each another.

The young priest, Kinsella, has just landed on the island – the first time it hosted a helicopter – and meets with the presiding Abbot in a large parlour. Sitting on rough furniture carved by the local monks, with Atlantic light streaming in through a 13th-century window, they enact a ritual within rituals:

Harry Bosch, trainee prescriptivist

The politics of English usage can show up anywhere. I was reading Michael Connelly’s 2010 crime novel The Reversal – gradually working my way through his back catalogue – when I found it depicting the spread of prescriptivism.

LAPD detective Harry Bosch and his 14-year-old daughter, Madeline, are at breakfast:

He checked his watch. It was time to go.

‘If you’re done playing with your food you can put your bowl in the sink. We have to get going.’

‘Finished, Dad. You should use the correct word.’

‘Sorry about that. Are you finished playing with your cereal?’

‘Yes.’

‘Good. Let’s go.’

Harry leaves Madeline with Sue Bambrough, her vice principal, for babysitting. He takes the opportunity to consult with the teacher:

12 words peculiar to Irish English

Irish people are known for having a way with words. Sometimes it’s true and sometimes it isn’t, but either way we first need the words to have a chance of having our way with them. And some words, like amn’t and fooster, are distinctive and beloved features of the dialect.

The post title exaggerates a little: by words I mean words or usages, and some of the items below appear in other dialects too. But all are characteristic of Irish English (aka Hiberno-English), whether integral to its grammar or produced on occasions of unalloyed Irishness.

Each entry links to a blog post all about the word or usage in question, so click through if you want more detail on pronunciation, etymology, examples, variations, and so on. Off we go:

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1. Plámás is an Irish word borrowed into Irish English meaning ‘empty flattery or wheedling’. It’s sometimes used witheringly in reference to political speech, for some reason.

2. Sleeveen is more strongly political, a scathing phonosemantic word for a sly, smooth-tongued operator who will say anything to advance their private agenda. Again it’s from Irish, anglicised from slíbhín.

3. Amn’t, short for am not, is a national grammatical treasure. Though criticised by prescriptivists, it’s common throughout Ireland, and, in interrogative syntax, is more logical than the standard but irregular aren’t I.

4. Notions in Ireland means either amorous behaviour, sexual inclinations; or pretentious affectation, ideas above one’s station. Pray that you interpret it right if you hear it.