Book spine poem: Listening to the Wind

It’s been a while since I made a book spine poem (aka bookmash). This one is overdue, but thanks to Edna O’Brien it’s also a month early:

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Listening to the Wind

Connemara –
listening to the wind,
the songs of trees, wild
December’s nocturnes
on your doorstep,
Going home one by one
in the darkness.

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Book spine poem: When the Lights Go Down

I almost forgot how much fun it is to make book spine poems. My last one was about a year ago (and led to an interview at the OED), so it’s about time I did another. This one tells a miniature story.

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When the Lights Go Down

Stranger on a train, heading inland,

Civilwarland in bad decline.

Autumn-dark voyage,

The light of evening,

The signal and the noise.

One shot without conscience

when the lights go down:

Death in a white tie, a brilliant void.

Reader, I murdered him.

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Book spine poem: A Quiet Life

Last weekend I read The Long Gaze Back, a wonderful anthology of short stories by Irish women writers, edited by Sinéad Gleeson. I felt the book’s title – borrowed from Maeve Brennan’s novella The Visitor – could work in a book spine poem. So here it is.

[click to enlarge]

A Quiet Life

A quiet life
on Chesil Beach,
loving and giving
bliss, breath, broken
words, the broken shore,
The long gaze back
under Milk Wood.
Johnny, I hardly
knew you.

Book spine poem: A Pagan Place

A new bookmash. It has been weeks since I made one.

[click to enlarge]

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A Pagan Place

The idea of prehistory, a pagan place –
Land of milk and honey, the white goddess;
Cows, pigs, wars and witches,
Women, fire, and dangerous things.

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Again this one is top-heavy with non-fiction – I tend to notice the ratio only after putting them together. See my previous one on language evolution for stats on fiction vs. nonfiction.

Thanks to the authors: Glyn Daniel, Edna O’Brien, Bríd Mahon, Robert Graves, Marvin Harris, and George Lakoff; and to Nina Katchadourian for the idea.

For more like this, see my archive of book spine poems (25 at last count), which includes links to other people’s. If you want to join in the fun, do – send me a photo or put a link in the comments. Remarks about, say, my inconsistent use of the serial comma are also welcome.

I didn’t cycle up the Liffey on a bicycle

Edna O’Brien’s book Girl With Green Eyes has a romantic line involving bicycles in Dublin:

Ah, the bloom of you, I love your North-Circular-Road-Bicycle-Riding-Cheeks.

It’s a sweet declaration ending in an impressive hyphenated string (though if I were editing it I would separate cheeks from the compound and reduce the capitalisation: North-Circular-Road-bicycle-riding cheeks).

In a modest correspondence between books decades apart, Declan Hughes’s Irish detective novel The Dying Breed has another elaborate compound phrase constructed with the help of bicycle imagery:

I made a face at that, my d’you-think-I-cycled-up-the-Liffey-on-a-bicycle face.

When I tweeted that sentence I was treated to a few variations on the theme: Belfast’s D’you think I floated down the Lagan in a bubble? (@charlieconnelly), and Glasgow’s D’ye think ah came up the Clyde on a water biscuit/banana boat? (@ozalba; @Yanbustone).

There are many versions of this idiom, often beginning Do you think…, You must think…, or I didn’t… More (or less) familiar lines include: Do you think I came down in the last shower?, You must think I was born yesterday, and I didn’t fall off the turnip truck yesterday.

I love the water biscuit one, but for some reason I relate most strongly to cycling on the Liffey – so long as I steer clear of Gogarty’s swans.

Book spine mashups

There was a minor book avalanche here last weekend. I removed one from its tower, which toppled unstoppably against its neighbour, and so on, with results that need hardly be described at length. Luckily there were no casualties: no toes crushed or book spines broken, just a torn cover getting torn some more. I took the hint and arranged them more stably. (And yes, I need a new bookshelf, or a dozen.)

It prompted me to carry out a plan that had just taken seed. A little earlier I had come across Nina Katchadourian’s Sorted Books project and immediately wanted to try it. The tangling of titles, the possibilities of ‘found form’ and cut-up wordplay — as a game it was irresistible. I took photos of a few, and have written them as mini-poems for ease of reading and to see how they appear in verse:

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How it is

How it is, the way that I went
Into the wild ancient world
Where the wasteland ends.

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Moondust

Chew on this moondust –
Good enough to eat.

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