Wasn’t It Herself Told Me?

December 15, 2020

Last month I mentioned my new essay on Irish English dialect, ‘Wasn’t It Herself Told Me?’, commissioned for the winter 2020 edition of the literary magazine The Stinging Fly.

Cover of the magazine. Title across the top in red sans serif all caps: 'The Stinging Fly'. Below in, in black: 'New writers · New writing'. Below that, dominating the cover, is a circular watercolour painting by Maeve Curtis, with black, grey, and red swirls on a pale pink rough oval, yellow in its centre. The colours are pastel and flow into each other. Below that are the publication details and the text 'The Galway 2020 edition'.If you didn’t get a copy of the Stinging Fly and want to read more of this material, you can now do so at the Irish Times website, which has published an abridged version of the essay. (I did the abridging myself, but some of the italics got lost in transit.)

Because the new Stinging Fly is a Galway special, the essay looks in particular at the Galway dialect, though this does not differ hugely from Irish English more broadly. The excerpt below elaborates on that point, using geography as an analogy:

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Irish English dialect in The Stinging Fly

November 23, 2020

I have an essay on Irish English dialect in the latest Stinging Fly (winter 2020–21). The issue, just out, centres on Galway – the city, the county, the state of mind – to tie in with its status as European Capital of Culture this year.

The Stinging Fly is an Irish literary magazine on the go since 1997 and a book publisher since 2005. You can order its publications from the website or, depending on where you are, from your local bookshop.

My essay looks at Galway dialect, though its features are not that different (or different mainly in degree) from southern Irish English in general. The grammar, vocabulary, idiom, and phonology of Irish English are all considered from my vantage point on the Atlantic coast.

I also discuss dialect more broadly, because people new to language studies are often unsure just what it means – linguistically, politically, performatively.

Cover of the magazine. Title across the top in red sans serif all caps: "The Stinging Fly". Below in, in black: "New writers · New writing". Below that, dominating the cover, is a circular watercolour painting by Maeve Curtis, with black, grey, and red swirls on a pale pink rough oval, yellow in its centre. The colours are pastel and flow into each other. Below that are the publication details and the text "The Galway 2020 edition".

cover art by Maeve Curtis; design by Catherine Gaffney

An excerpt:

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