Danger Mouse, linguistic prodigy

October 24, 2015

In idle half-hours I’ve been watching Danger Mouse on a DVD I picked up for the price of a croissant. As well as being enjoyably daft and wryly amusing, it’s a trip down memory lane; my sister and I loved the cartoon as children.

Browsing its Wikipedia page, I see that it was even more popular than I supposed, placing third (behind The Muppet Show and The Simpsons) in a UK Channel 4 list of the top 100 children’s TV shows of all time. It had a fantastic theme tune too:

Puns and silly wordplay are a constant (‘Shooting star? Crumbs! I didn’t even know they were loaded’). In an episode titled ‘I Spy With My Little Eye…’, written by Brian Trueman and directed by Keith Scoble, there is an exchange rich in overt linguistic humour, excerpted here.

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An incredulous anachronism?

October 9, 2015

I was struck by this use of incredulous in an old trailer for the 1932 Universal Studios film The Mummy, starring Boris Karloff:

universal studios 1932 mummy trailer - incredulous

My first reaction was that it should be incredible – since incredulous means ‘unbelieving’ or ‘disbelieving’, not ‘unbelievable’ – but it seemed unlikely that such a ‘mistake’ would have slipped through unnoticed. So I looked it up.

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The semantic scope of ‘Martian’

June 24, 2015

When the horror comedy film Slither came out in 2006, I thought it far too derivative, with major plot points and big reveals rehashed from ideas I’d seen before – in David Cronenberg’s Shivers and Rabid, Brian Yuzna’s Society, and the entire first half of George Romero’s career.

But there were things I liked about it too, so I felt I owed it another look. Second time around I appreciated its queasy charms and lively sense of fun much more, and as an unexpected bonus it contains a brief semantic dispute.

This takes place in a car as our heroes escape from unspeakable weirdness and try to figure out what’s going on. Slight spoilers follow in the subtitled images below. Some dialogue is repeated here to accommodate editing cuts and show who’s speaking. If strong language bothers you, flee now while you can.

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Portmonsteau words and films: They Came From the Blender!

July 11, 2014

At the Galway Film Fleadh this week I saw It Came From Connemara!!, a documentary about the great Roger Corman’s time producing films in the west of Ireland, specifically Connemara in Co. Galway – a short drive west of my adopted city. (Fleadh is Irish for festival or feast.)

It Came From Connemara!! – NSFW trailer here – is a fun, fond look back at that productive and sometimes controversial stint in the late 1990s and the lasting effects of Corman’s presence on the Irish TV and film industry. (The friend I saw it with worked there as an extra, and the audience included many of the crew from those years.)

It came from connemara - by dearg films brian reddin feat. roger corman

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Lip-sync surrealism in Soupy Norman and Couched

January 29, 2014

Few people outside Ireland are likely to have seen Soupy Norman, a cult comedy that aired in 2007 on our national station RTÉ. Essentially, Soupy uses footage from a Polish soap opera and turns it into an Irish family drama by redubbing the audio track with a surreal Hiberno-English script.

The fun lies in the lip-synching and voiceover, which are done partly to match speakers’ mouths, partly to fit the characters’ actions and interactions, and partly to serve the imaginary and often ridiculous plot. Non sequiturs pile up in disjointed rhythms to wonderfully silly effect.

Below is the first of eight episodes (9½ min. long), from where you can follow links to the rest, including a Christmas special. Your mileage may vary, but if it appeals to your sense of humour, watch the lot; every episode has its own inspired lunacies and running jokes (and, for the dialectally minded, Irish accents, expressions, and slang).

NB: Occasional strong language.

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Incubus: a film in Esperanto with William Shatner

January 17, 2014

On a walk in Galway once I met a Polish couple poring over a map. We were going the same way, and fell into step. They were in town for an Esperanto conference, and when the man – an Esperanto playwright – learned I had an interest in languages, he eagerly gave me a crash course in its grammar as we manoeuvred the uneven paths and busy streets.

It was a fun experience, but it remains the only proper exposure I’ve had to spoken Esperanto. More recently I encountered the language again, not in the flesh but in the form of a film – I wrote a post about films of linguistic interest and the comments soon filled up with tips; Edward Banatt suggested Incubus.

Incubus 1996 film - Unleash the incubus

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Introducing Indo-European Jones

January 6, 2014

It started on Twitter, as these things often do. I read a comment about linguists and lexicographers being to language “what grave robbers are to archeology” (the context: hatred of the newly popular because X phrase), and I tweeted it with a raised eyebrow.

Jonathon Owen replied that he wished he’d been given a “leather jacket, bullwhip, and fedora” upon graduation, James Callan said he wanted to see an “Indiana Jones pastiche focused on a linguist”, and I felt it was a meme waiting to happen. So without further ado, let me introduce Indo-European Jones (or Indy for short).

James got the giant boulder ball rolling (click on images to enlarge):

stan carey - Indo-European Jones meme - this belongs in the OED - James Callan

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