December 18, 2015
The rise of quotative like (I was like, What?) has been swift and striking since it emerged a few decades ago. No word stays exactly the same, but the changes and extensions to like have been more noticeable than most on account of its versatility, popularity, and prominence.
So what will happen to like in the future? More change, if these tweets are anything to go by:
If you click on Sarah’s first tweet (or its date, in some browsers) you can read more follow-up discussion.
I would have been confused by what the child meant, and I’d probably have exhausted her patience long before figuring it out. The fact that Sarah Shulist is a linguistic anthropologist and Alexandra D’Arcy is a sociolinguist (who has done research on like) may have helped them infer the child’s intent more quickly in each case.
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September 11, 2014
It’s sobering to imagine modern English as an archaic dialect – how the language might evolve and how our version(s) of it might appear from a position many generations into the future. That English will change radically in a few centuries or a thousand years is beyond doubt: read a few lines of Old or Middle English and you’ll get an idea of how much.
This presents a problem when communication with people in the far future is an absolute must. Whatever about literature becoming ever more impenetrable, how do we warn future humans about dangerous contaminants that we’ve buried for safekeeping? It’s not enough to isolate these materials now; they may need to be kept isolated for a very long time.
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January 20, 2014
Brian Clegg’s entertaining pop-physics book Build Your Own Time Machine: The Real Science of Time Travel (2011) has a couple of amusing examples of how grammar gets wonky when you’re talking about time travel. The first example comes in a discussion of what’s called the block universe model, which encompasses “all of space and all time that will ever be”:
If the block universe is the correct picture, even if we managed to travel backward in time, we could never do anything that would change the future, at least within a particular quantum version of the universe. Because the future and the past already exist in the block, any action we take must already exist. (We have trouble with tenses emerging from time travel here. It might be more accurate to say that any action must will have existed.)
Later, Clegg talks about “Destination Day” in Perth, when a time and place were announced to welcome possible visitors from the future. (Similar events have taken place in MIT and Baltimore.) Note that the DD website is no longer directly accessible and can be reached only in cached form via tools like the Wayback Machine – the internet equivalent of time travel. Clegg:
I can’t find any official description of what happened that day in Perth, but I suspect there was some form of welcoming committee, eagerly anticipating visitors from the future to pop into existence. Of course now March 31, 2005, is in the past, and we aren’t so much awaiting them as we have been were awaiting them.
Have been were awaiting: lovely. I recently noted that English has no future tense, but whether the grammar of time travel would be easier if it did is a question for another day. As things stand English verb tenses, Clegg concludes, “definitely aren’t designed to cope with time travel”. This is good to already will have known.
A nice example from Futurama, season 6 episode 16, ‘Law and Oracle‘ (brief clip here):
No! No! What have I will have done?
January 14, 2014
The English language has no future tense. To refer to the future, we use various strategies with verbs in present tense (some of them auxiliaries):
I will run
I will be running
I shall run
I’m going to run
I am to run next
I’m running tomorrow
I run next Friday
Because we can conceptualise the future and it plays a big role in our lives, we talk about it often. Naturally, then, the ways we talk about it are subject to pressures of economy, resulting in contraction, e.g.:
I will run → I’ll run
I am going to run → I’m gonna/gon’ run
I’m gonna run → I’mna run → I’ma/Imma run
I’ll is acceptable in Standard English; gonna/gon’ and I’mna/I’ma/Imma are not, though you may see them in dialogue or informal writing or use some of them yourself in everyday speech – gonna is especially widespread.
Recently I came across another form: I’m on [verb]. It seems similar to I’ma and I’m gon’, but I don’t know exactly how or when it developed. Here’s the example I saw, in Elmore Leonard’s novel Mr. Paradise:
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October 22, 2013
Voltaire is said to have described etymology as a science in which vowels count for nothing, and consonants for very little. The line’s provenance is questionable, but the point holds. Over time, vowels shift and so do consonants: words may transform radically. If people are around in a few centuries’ time, we won’t just be using lots of new words: we’ll be using old words that sound different.
I haven’t seen this treated much in science fiction, despite the genre’s reliance on time travel and future scenarios. But I came across an example last weekend in the Ursula K. Le Guin–edited Nebula Award Stories of 1975. Joe Haldeman’s story ‘End Game’ is a futuristic military drama that refers briefly, on a few occasions, to phonetic change and to language change more generally:
(1) Language, for one thing, was no small problem. English had evolved considerably in 450 years; soldiers had to learn twenty-first century English as a sort of lingua franca with which to communicate with their officers, some of whom might be “old” enough to be their nine-times-great-grandfathers. Of course, they only used this language when talking to their officers, or mocking them, so they got out of practice with it.
(2) Most of the other officers played chess, but they could usually beat me – whenever I won it gave me the feeling I was being humoured. And word games were difficult because my language was an archaic dialect that they had trouble manipulating. And I lacked the time and talent to master “modern” English.
(3) He said a word whose vowel had changed over the centuries, but whose meaning was clear.
No dialogue or descriptions provide any details of the form to which English had changed in four and a half centuries, but that may be just as well, as it leaves it to our imagination and avoids suggesting something a linguist might object to. It’s nice to see the subject addressed at all, and so explicitly; the sociolinguistic reference to mockery is an especially good touch.