If Finnish is Godzilla, what creature is English?

February 2, 2016

This image has been floating around the internet for a while, but I don’t think I’ve seen it on a language blog. I don’t know who created it, but a search on TinEye suggests it originated on 9gag in 2014 as a two-part visual joke comparing Swedish and German grammar, before being variously (and anonymously) modified and extended.

[click to enlarge]

Scandinavian grammar - Swedish Danish Norwegian Icelandic Finnish kitten cat tiger alien godzilla

Read the rest of this entry »


Anthony Burgess on James Joyce and dream-literature

January 4, 2016

Fans of James Joyce’s writing who haven’t read Anthony Burgess’s Here Comes Everybody (1965) might want to add it to their list. Anyone who has dipped into Joyce and remains interested but perhaps daunted by his later prose is likely to find it especially helpful.

Here’s an excerpt from an early chapter, on the comic–cosmic nature of Ulysses and the difficulty of that book and its successor Finnegans Wake, in which Joyce set out to put language to sleep:

‘Comic’ is the key-word, for Ulysses is a great comic novel – though comic in a tradition that has been obscured by ‘popular’ conceptions of comedy – P. G. Wodehouse, Richard Gordon and the rest. The comedy of Joyce is an aspect of the heroic: it shows man in relation to the whole cosmos, and the whole cosmos appears in his work symbolised in the whole of language. . . .

Read the rest of this entry »


Sarcastic punctuation in The X-Files

December 21, 2015

English has no standard punctuation mark or typographic style to show sarcasm or verbal irony. This lack has inspired a whole menagerie of proposals over the centuries, including backwards question marks, upside-down or zigzag exclamation marks, and left-slanting typefaces (‘ironics’, ‘Sartalics’). Some have gained niche usage, while others faded more or less instantly: only the winking smiley ;-) ;) has become widespread, and only in informal text.

I notice the gap sometimes when chatting online, for example when I misinterpret someone’s tone or they misinterpret mine. A tongue-in-cheek statement can easily be taken at face value if the reader doesn’t know the writer well. This happens often on Twitter, where strangers’ statements can spread without much pragmatic context.

Read the rest of this entry »


Emoticon generation specialist

December 4, 2015
[click image to enlarge]

partially clips comic - emoticon generation specialist

‘Waiter in uniform’ comic by the excellent Partially Clips

 

An ampersand and a caret is: &^. I wonder what he did with them.


Nonsense words in Rick and Morty

November 26, 2015

A few people have recommended the Adult Swim cartoon Rick and Morty to me. I haven’t watched it yet, but based on this clip (and glowing reviews) I definitely will. Transcript below the video:

*

Read the rest of this entry »


Danger Mouse, linguistic prodigy

October 24, 2015

In idle half-hours I’ve been watching Danger Mouse on a DVD I picked up for the price of a croissant. As well as being enjoyably daft and wryly amusing, it’s a trip down memory lane; my sister and I loved the cartoon as children.

Browsing its Wikipedia page, I see that it was even more popular than I supposed, placing third (behind The Muppet Show and The Simpsons) in a UK Channel 4 list of the top 100 children’s TV shows of all time. It had a fantastic theme tune too:

Puns and silly wordplay are a constant (‘Shooting star? Crumbs! I didn’t even know they were loaded’). In an episode titled ‘I Spy With My Little Eye…’, written by Brian Trueman and directed by Keith Scoble, there is an exchange rich in overt linguistic humour, excerpted here.

Read the rest of this entry »


Notes on language from Steve Martin

October 14, 2015

Yes, that Steve Martin. I just read Born Standing Up: A Comic’s Life, his engaging account of his early years as a stand-up comedian and gag writer for TV, and I’d like to share a few short passages that relate to language.

On one of his endless trips around America as an aspiring freelance comic, Martin began taping his shows with a cassette recorder ‘in case I ad-libbed something wonderful’. This led to his abandoning a routine in which he drank a couple of glasses of wine, because when listening to the tape later he could hear himself slurring. He never drank alcohol before or during a show again.

He also made another significant change based on reviewing the tapes:

Texas-born and California-raised, I realized I was dropping my “ings” – runnin’, walkin’, and talkin’ – and I worked like Eliza Doolittle to elevate my speech. It was a struggle; at first I thought I sounded pretentious and unnatural. But I did it, though now and then I slip back into my natural way of speakin’.

Read the rest of this entry »


Follow

Get every new post delivered to your Inbox.

Join 23,007 other followers