For my column at Macmillan Dictionary, I’ve been looking at its style labels – supplementary terms like ‘humorous’, ‘formal,’ ‘offensive’, and ‘literary’ that are not part of a word’s definition but lend useful detail about it, especially for English-language learners:
Style labels help us become more familiar with the many varieties of English, especially if we’re learning the language. They enable us to use English more effectively and to interpret it more accurately when we hear or see it.
Part II looks at the ‘offensive’ label, including the euphemism treadmill that sees terms like retarded go from acceptable to taboo, and words like lunatic that are now in a grey area. I also show how geographical and social factors can affect a word’s offensiveness.
Part III looks at other common labels, such as ‘spoken’, ‘journalism’, and ‘old-fashioned’. One interesting pair for pragmatics is the ‘showing approval’ and ‘showing disapproval’ labels. I also explain why Macmillan does not use the ‘obsolete’ label often found in dictionaries.
Whenever I had a query about slang (and I’ve had many), or felt like a random trawl through the underbelly of language (which was often), my first port of call, traditionally, was Chambers Dictionary of Slang by Jonathon Green. I have several slang dictionaries for various countries or lexical domains, but CDoS was the most generally useful. It has since been superseded: instead of CDoS I now turn to GDoS.
Green’s Dictionary of Slang is the culmination of a life’s work for Green. First published in print as a three-volume behemoth in 2010, to awards and rave reviews, it now emerges in digital form with about 30% ‘revised, augmented and generally improved’. I’ve been beta-testing the website and can report it is a beautiful thing, vast and wondrous, filthy and fabulous, endlessly diverting and eye-opening.
A quarter-century after publication seemed a good time to revisit Douglas Coupland’s self-consciously zeitgeisty novel Generation X: Tales for an Accelerated Culture. It remains a rewarding read, inventive and humorous, with a sincerity unspoiled by its often sardonic views.
A salient feature of the book is an ingenious, comical, cultural glossary supplementing the text as it unfolds. For example: Ultra short term nostalgia (unhyphenated in the book) is ‘homesickness for the extremely recent past: God, things seemed so much better in the world last week.’ This had special resonance after the UK’s Brexit vote last month, as did Historical Overdosing:
To live in a period of time when too much seems to happen. Major symptoms include addiction to newspapers, magazines, and TV news broadcasts.
(The symptoms for Historical Underdosing are the same.)
Some of the near-100 such entries, like McJob – the first in the book – have become established in broader usage. The OED cites Generation X in its entry for McJob, but credits a Washington Post headline from 1986 as the first use.
It’s worth comparing the two glosses: where the OED is appropriately disinterested and concise, Coupland adds wry sociological insight:
Joseph Wright’s English Dialect Dictionary (EDD) is a monumental work by any standard. Published in six volumes from 1898–1905, with detailed entries across 4505 double-columned pages, it’s all the more impressive given that its author was largely self-taught and could not read until his mid-teens. (He described himself as ‘an idle man all my life’.)
After studying philology in Germany, Wright began his pioneering work in English dialectology, aiming in the EDD to include ‘the complete vocabulary of dialect words’ in use since 1700. The Oxford Companion to the English Language says ‘nothing of comparable breadth or depth of dialect scholarship has been published in Britain since’.
In my own usage it’s both, depending on the context, but there seems to be a lot of uncertainty and debate over which is the ‘correct’ pronunciation. So I hope my article goes some way towards resolving the matter. Here’s a excerpt:
Celtic pronounced “Keltic” is an outlier in English phonology. Nearly every other English word beginning ce- has a soft-c sound: cedar, ceiling, cell, cement, cent, cereal, certain, cesspit, and so on (cello, with its “ch-” onset, is another anomaly). So it shouldn’t surprise us that “Seltic” was once overwhelmingly the norm. The now-dominant pronunciation “Keltic” is a modern innovation.
Eschew ‘avoid, shun, refrain from’ is a formal word of Germanic origin that entered English via Old French in the 15thC. It’s not one I use often, still less speak aloud, but a brief exchange on Twitter got me wondering how people pronounce it.
Let’s do a quick poll before I say any more. It simplifies the range of vowel sounds in the unstressed first syllable, so ignore any small difference there for now. I want to focus on the consonant cluster and what we might call the shoe, chew and skew forms.
If you’ve never said eschew or are unsure how to, go with whichever one you think you would say.
One of the phrases most guaranteed to annoy usage traditionalists and purists is beg the question meaning raise the question or evade the question. While raise the question (or invite, elicit, prompt, etc.) is by far the most common meaning, it differs from the initial philosophical one. So it makes a good case study for language change and attitudes to it.
First, the traditional use: beg the question was originally a logical fallacy also known as petitio principii. It’s kin to circular reasoning in which a person assumes the conclusion in their premise. That is, the truth of their argument is based on an assumption that hasn’t been proved, and needs to be.
Same-sex marriage should be forbidden, because marriage must be between a man and a woman.
Democracy is the best system of government because of the wisdom of the crowd.