Litotes and lyrics on which we disagree on

May 16, 2015

Following my recent defence of double negatives, I wrote further about a particular form of multiple negation that has been popular for many centuries. In Litotes is no small matter, at Macmillan Dictionary Blog, I describe this figure of speech as:

less rare than you might think – indeed, it is anything but uncommon. Litotes is used in all sorts of language varieties and contexts, from high-flown rhetoric to everyday small talk. We might reply to the greeting ‘How are you?’ with ‘Not bad’ or ‘Can’t complain.’ . . .

Litotes shows up in some familiar phrases and idioms. If we think someone should be able to do or understand something, we can say it’s not rocket science. If someone has overstepped the mark, we can let them know in no uncertain terms – a phrase that conveys the force of our disapproval. So as well as understatement, litotes can also be used for emphasis.

The post looks at other forms of litotes, such as the common not un-X construction, cites some familiar examples from pop culture, and considers its functions and range of meaning.

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With pop culture on the brain, I then tackled a famous (and somewhat infamous) song lyric at which I’ve often wondered at. The line I’m interested in occurs at 0:18 and 2:06 in the video below:

The question is whether McCartney sings: this ever-changing world in which we live in, or …in which we’re livin’. In my Macmillan post This ever-changing language in which we live in, I note that the latter interpretation

would make sense, and it’s more charitable to McCartney. But it doesn’t seem to be what he sings. The we/we’re bit is ambiguous on account of his accent, but the later phrase really doesn’t sound like livin’ to me – the stress pattern is more suggestive of live in. The Guns N’ Roses cover is more unequivocally live in, and apparently it’s what appears in the original liner notes.

But even language experts disagree on what McCartney sings: Grammarphobia holds to the livin’ reading, citing (somewhat unconvincingly) a book on pop music, while David Crystal makes a strong case for live in, and writes: ‘Certainly it’s ungrammatical; but it’s not unnatural.’

Read the rest for more analysis and conjecture, including McCartney’s own ambivalence when queried about it. For older posts, see my archive at Macmillan Dictionary Blog.


Multiple negation and the meaning of ‘grammar’

April 24, 2015

I have two more posts up at Macmillan Dictionary Blog. (Yes, I mentioned a prior couple just a week ago – I wasn’t keeping up!)

First: Grammar at cross purposes highlights a common source of unnecessary strife over language use: the meaning of grammar, by which linguists usually mean syntax, morphology, and so on – the rules we pick up informally when we’re very young. By contrast:

When non-linguists talk about grammar, they are normally referring to more transient things like spelling, style, and conventions of usage. This discrepancy between the technical and popular interpretations of ‘grammar’ fosters uncertainty and disagreement over what a grammatical rule is, and what therefore counts as correct. Disputants may be at cross purposes because advice on ‘grammar’ is often simply instruction on style and usage. . . .

Grammar rules, as I once tweeted, come from how people use language. They emerge from the bottom up; they are not imposed top-down from logic, Latin, or some higher ideal.

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One example of a ‘rule’ imposed by decree from logic, Latin, and higher ideals is the proscription against multiple negation, better known as double negatives.

Ain’t nothin’ (grammatically) wrong with no double negatives addresses this perennial point of controversy, looking over the usage’s long history in different varieties of English and how it came to be ostracised from reputable use:

The Merriam-Webster Dictionary of English Usage reports Otto Jespersen’s observation that because negation in English has often been marked subtly – ‘by no more than an unstressed particle like old ne or modern -n’t’ – speakers have long tended to reinforce it with additional negation. So the double negative is a feature of many dialects, and indeed was once common even in the literary English of Chaucer, Shakespeare, and Defoe. But that was before it gained a bad reputation, the result more of social than of grammatical pressures.

The post then briefly documents double negatives’ fall from grace as a result of unwarranted pejoration from 18thC grammarians and those who’ve carried the torch for them ever since.

Older posts can be read in my archive at Macmillan.


On behalf of my invite

April 17, 2015

On behalf of this fossilised phrase is a recent article I wrote for Macmillan Dictionary Blog about the expression on behalf of:

On someone’s behalf, etymologically speaking, means ‘on someone’s side’, from an old meaning of half. It emerged in Middle English as a result of blending the two phrases on his halve and bihalve him, both of which meant ‘on [or by] his side’; thus Chaucer, ‘Spek thow thiself also to Troylus On my bihalve’. The word in modern use has two related meanings: 1. ‘instead of someone, or as a representative of someone’, and 2. ‘in order to help someone’. Sense 1 is more neutral, while sense 2 implies active support or defence of a person.

The post also looks at in behalf of and lesser known variants, transatlantic differences, the non-standard plural *on their behalves, and a recent development whereby on someone’s behalf is used to mean on someone’s part.

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Is ‘invite’ acceptable as a noun? examines a disputed nominalisation, including its use in different registers and the criticism it has received from language authorities:

With another throw of the historical dice, invite as a noun might have developed as the norm, with invitation considered an inkhornish variant. But invitation got there first and established itself as the noun of choice. Flannery O’Connor and William Makepeace Thackeray both used invite as a noun – but in letters. When it appears in edited writing it quite often marks a light or jocular tone. It may even be framed by scare quotes to mark its less-than-wholly-proper stature.

But we can acknowledge all this without lambasting the word as a ‘needless barbarism’, as one critic did. Can we omit needless accusations of barbarity? That’s my invite to the critics.

Older posts may be found in my Macmillan Dictionary Blog archive.


Numbnuts, hashtags, and refutations

February 20, 2015

I normally report on my posts for Macmillan Dictionary Blog about once a month. But because I took a short break from blogging here, I have three to share instead of the usual two.

The first reflects on the American Dialect Society’s words of the year (columbusing, even, manspreading, bae, #Blacklivesmatter). These category winners, considered collectively,

testify to the creativity and imagination inherent in language use, each in a different way. #Blacklivesmatter is not lexically innovative, but its selection as word of the year underscores the irresistible rise of hashtags and how they continue to spread into mainstream culture and domains beyond their early use as a way of organising discussions on social media.

It also indicates the broader significance of the hashtags shortlisted: #icantbreathe, #notallmen, #yesallwomen, #whyistayed and #blacklivesmatter all point to conversations taking place, on a global scale and in real time, about violence or abuse between different groups of people. Hashtags have facilitated such communication, providing a forum for voices to be heard and opening people’s eyes to others’ experiences.

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My next post picks up on a new entry to Macmillan’s crowd-sourced Open Dictionary, numbnuts, and looks at words with a similar sound and meaning, such as ninny and numbskull:

Slang lexicographer Jonathon Green dates numbnuts to the late 1960s, and has also recorded numbhead, numbwit and nimwit (by analogy with dimwit) numbass, and other more colourful variants that cluster around similar sounds. There’s also numps, numpty, nimrod and nincompoop, and a little further off we find dumbo, dumb-ass, dunce, dunderhead, chump, schmuck, and Monty Python’s Gumbys. I have a soft spot for numbskull because of the comic strip The Numskulls, which I loved as a child. And I recently dreamt I called someone an ‘ignorant ninny’, which belongs in the same general set (though it doesn’t appear to be an abbreviation of nincompoop, as I originally imagined).

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Finally, and topically, I defend the ‘loose’ use of refute by refuting allegations of its incorrectness:

For the first few hundred years of its existence in English [refute] had various related senses having to do with disproving theories, arguments, people, and so on. But its use as a word meaning reject or deny the accuracy or truth of something is no upstart either – it dates to the 19th century, so it’s had time to become established in the common tongue.

This ‘weakened’ usage has been criticised for almost as long as it has been around . . . . Yet the original sense of refute, according to the OED, is ‘To refuse or reject (a thing or person)’.

It’s topical because the UK Telegraph responded to the HSBC scandal this week by ‘utterly refuting’ allegations (from its newly resigned chief political commentator Peter Oborne) that its editorial operations were not distinct from advertising-based income. The BBC went so far as to paraphrase the Telegraph’s statement:

bbc news - telegraph hsbc peter oborne story -refute deny

I’ve seen a lot of criticism of the Telegraph’s use of refute in its statement. It could be described as unclear, or careless because it contradicts the paper’s own style guide. But it’s not incorrect, and anyone insisting that refute can only mean ‘disprove’ has fallen foul of the etymological fallacy.

Older posts can be read in my Macmillan Dictionary Blog archive.


Accent prejudice and multiple hyphens

January 15, 2015

Time to recap my recent posts for Macmillan Dictionary Blog. Anti-multiple-hyphen tendencies considers the strangely common aversion to ‘hyphenating up’ such compounds as self-driving car fantasists and anti-water protest groups:

The potential for ambiguity varies. The capitals in Paris Principles-compliant mechanism mean the phrase is unlikely to mislead, but in anti-social justice websites the familiarity of anti-social compared to social justice could make readers hesitate. Hyphenating the full compound solves this. . . .

[Washington Post copy editor Bill] Walsh writes that ‘what you must not do is arbitrarily decide to disconnect the unit by using only the most obvious hyphen and ditching the rest. Hyphenation is often an all-or-nothing proposition.’ I tend to agree. Hyphens misused can misdirect. But even when their presence or omission is trivial and non-life-threatening, getting it right (or as right as possible; there are grey areas) matters as a courtesy to readers. It gives them confidence in the writer-editor-publisher team.

The post has further discussion of the problem along with opinions from other editors.

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Accent prejudice in the mainstream was prompted by two items: an article by Dr Katie Edwards in the UK Telegraph about the appalling extent of accentism in the academic world; and a Channel 4 quiz show on which a participant had his Scottish accent mocked.

[A]s we grow up we get used to hearing other accents, some like our own, some not, and we see nothing to gain by making fun of them. Quite the contrary: phonetic diversity can be a source of cordial fun and interest regardless of any background in linguistics or dialectology. . . .

Criticising someone’s speech, whether it’s the sound of their vowels or their use of ‘improper’ regionalisms, is often a socially sanctioned way of expressing distaste for their socio-economic status, educational history, or area of origin. It says nothing about the person with the accent except bare facts or probabilities about their background. But it says a lot about the person making the criticism, none of it favourable.

You can read the rest for more on accent prejudice in different domains, or browse older articles in my archive at Macmillan.

Update:

Lane Greene at the Economist follows up on what he calls ‘the last acceptable prejudice’.


Banned words and flat adverbs

December 16, 2014

‘Banning’ words is not an impulse I can relate to. My recent post at Macmillan Dictionary Blog, The vogue for banning words, takes issue with this popular practice:

Lists of words to ban make effective clickbait, because people are very conscious of language usage and can be wary of having their own usage policed. So they want to find out what words and phrases they should be avoiding and collectively hating. Many will join in, sounding off about words they’d like to see banned. The logic seems to be that because they simply don’t like a word or phrase, no one should ever, ever use it.

It was once customary for language critics such as Fowler, Partridge, and Gowers to warn writers about ‘vogue words’ which had become too fashionable for their own good. Nowadays the convention – even at Time magazine – is for ‘banning’ them, whatever that might mean. I find it reactionary and unhelpful.

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My next post at Macmillan, Flat adverbs are exceeding fine, considers the status of adverbs like slow, far, wrong and bright, which lack the –ly we might expect from adverbs and which are unfairly condemned for that reason. The censure directed at them owes to the usual suspects:

[P]rescriptive grammarians in the 18th century, being overly attached to Latin grammar, thought flat adverbs were really adjectives being used incorrectly, and warned against their use. Before this, flat adverbs were more common and varied than they are now. Exceeding is a good example. If we browse Daniel Defoe’s writing we find such phrases as: weak and exceeding thirsty; it rained exceeding hard. Today this usage has an archaic feel.

Those early grammarians’ misguided judgements were passed down for generations. Their influence is felt today not only in the absence of many flat adverbs that were formerly routine, but also in the uncertainty and intolerance towards surviving ones…

What I mean by intolerance is, for example, people ‘fixing’ street signs that read Drive Slow, under the mistaken impression that it’s ungrammatical. In the post I also look briefly at whether and how some pairs of adverbs (one flat, one not) have diverged in usage, such as hard/hardly and safe/safely.

To browse my older Macmillan posts, you can visit the full archive here.

drive slow slowly grammar - weird al yankovic fixes road sign(Image from video: ‘Weird Al Yankovic fixes a road sign’)

Misheard lyrics, and ‘overall’ criticism

November 13, 2014

I have two new posts up at Macmillan Dictionary Blog. Mildew all around me, and other mondegreens looks at misheard song lyrics, including some famous, favourite, and personal examples:

Everyone’s experience of a song is unique, so new and idiosyncratic mondegreens keep appearing. Others are common enough to be famous in the field, like Jimi Hendrix’s ‘kiss this guy’, instead of kiss the sky. Some mondegreens might begin as accidents of perception but be amusing enough to then be deliberately adopted, replacing the original words. Wright herself [Sylvia Wright, who coined the term] wrote that they were ‘better than the original’, and some singers even embrace the mondegreens.

Among my favourites are ‘Shamu the mysterious whale’ (She moves in mysterious ways) and ‘R-G-S-P-E-P-P’ (R-E-S-P-E-C-T). I also summarise how they got the name mondegreens and explain the titular ‘Mildew all around me’, which is family lore. There are also great examples in the comments (‘All we are saying is kidneys and jam’).

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This week’s post, Overall, there’s nothing really wrong with it, examines the use and criticism of the word overall. It’s part of a critical series at Macmillan on prescriptivism. I’m particularly interested in how long overall has been labelled a ‘vogue word’:

In The Complete Plain Words, first published 60 years ago, Ernest Gowers described as ‘astonishing’ the word’s growth in popularity, then spent two full pages showing how it was being used as a synonym for more than a dozen other words. A few years later, overall was described (fairly, I think) as a ‘vogue word’ in Eric Partridge’s Usage and Abusage. Vogue words are ‘faddish, trendy, ubiquitous words that have something new about them’, writes Bryan Garner in his Modern American Usage. One of the vogue words in this 2009 book is… overall. Just how long can a word be in vogue?

The post goes on to report other complaints about overall, weighs up the evidence, and offers advice on whether you should use it.

You can browse all my older posts for Macmillan Dictionary Blog here.


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