Douglas Coupland’s Generation X lexicon

July 2, 2016

A quarter-century after publication seemed a good time to revisit Douglas Coupland’s self-consciously zeitgeisty novel Generation X: Tales for an Accelerated Culture. It remains a rewarding read, inventive and humorous, with a sincerity unspoiled by its often sardonic views.

A salient feature of the book is an ingenious, comical, cultural glossary supplementing the text as it unfolds. For example: Ultra short term nostalgia (unhyphenated in the book) is ‘homesickness for the extremely recent past: God, things seemed so much better in the world last week.’ This had special resonance after the UK’s Brexit vote last month, as did Historical Overdosing:

douglas coupland - generation x pink book cover abacusTo live in a period of time when too much seems to happen. Major symptoms include addiction to newspapers, magazines, and TV news broadcasts.

(The symptoms for Historical Underdosing are the same.)

Some of the near-100 such entries, like McJob – the first in the book – have become established in broader usage. The OED cites Generation X in its entry for McJob, but credits a Washington Post headline from 1986 as the first use.

It’s worth comparing the two glosses: where the OED is appropriately disinterested and concise, Coupland adds wry sociological insight:

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Six videos about language

February 17, 2016

Rather than wait for the next linkfest to share these videos about language – there’s no telling when that would happen – I thought I’d bundle them all together. Most are bite-sized.

First up is Arika Okrent, whose book on conlangs has featured on Sentence first a few times. Her YouTube page has a growing selection of clips on various aspects of language, their charm enhanced by animation from Sean O’Neill. Here’s a recent one on animal sounds in different languages:

At The Ling Space, Moti Lieberman and team are prolific makers of entertaining videos aimed at people learning linguistics or interested in it. The Ling Space Tumblr blog supplements the videos with further discussion. This one is on the anatomy of the human voice:

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New slang and old prescriptions

January 11, 2016

At Macmillan Dictionary Blog, I review a list of ‘words you’re using wrong’ from – unusually for this sort of thing – a linguist.

Appraising Pinker’s prescriptions shows that Stephen Pinker has good advice on foreign plurals and some confusable pairs of words. But on other items his guidance seems unduly strict. For example:

The article insists that begs the question ‘does not mean raises the question’. But outside of philosophical contexts, it nearly always does – whether you like it or not. And it says literally ‘does not mean figuratively’ – but people seldom if ever use it that way: the disputed use is when literally intensifies something that may be figurative.

The article says fulsome ‘does not mean full or copious’ – but it can. It says refute ‘does not mean to allege to be false’ – but this is a preference, not an accurate description of how refute is used. Disinterested, we’re told, ‘means unbiased and does not mean uninterested’, but in fact the word commonly has both meanings – and despite claims of ambiguity, these multiple senses don’t generally interfere with clear communication.

Read the rest for further analysis and my conclusions and recommendations.

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In today’s post at Macmillan, Your new favourite slang rebuts the knee-jerk reaction against slang and other new informal usages, advising tolerance and patience with people’s language.

It also looks at what new words and phrases people (including me) have been adding to their everyday speech:

I haven’t added bae or fleek to my active vocabulary, and have no immediate plans to, but I have added other new usages. I find hangry (and the related noun hanger) a handy jocular word to describe the feeling of irritation due to hunger. Other relatively new additions to my idiolect include because X and throw shade – though on the occasions I use these I do so chiefly online, where they’re more familiar to people.

Curious about what new usages other people have adopted, especially in speech, I asked on Twitter and got lots of interesting replies . . .

You can click through to read them and offer your own suggestions. Older posts can be browsed in my Macmillan Dictionary Blog archive.


Due to Alice in Blenderland

December 16, 2015

I have two new posts up at Macmillan Dictionary Blog. Due to general usage, this phrase is fine looks at the compound preposition due to, my use of which in the post title would be considered ungrammatical by some prescriptivists:

They say due must function as an adjective, which it commonly does after a linking verb. So they would accept a phrase like: ‘Our delay was due to traffic’, but not: ‘We were delayed due to traffic’. Fowler considered the latter usage ‘illiterate’ and ‘impossible’, while Eric Partridge said it was ‘not acceptable’.

These judgements, which have been inherited by some of today’s critics, may seem unnecessarily restrictive to you. They certainly do to me, and to the millions of English speakers who for centuries have ignored the ‘rule’. Writers, too.

The post goes on to show a change in attitudes in favour of the usage, and why there’s nothing grammatically wrong with it anyway.

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Humpty Dumpty and Alice through the looking-glass portmanteau - John TennielAlice in Blenderland completes my series of posts on Alice in Wonderland to mark the 150th anniversary of the book’s publication by Macmillan in 1865. It reviews the portmanteau words (aka blends) that Lewis Carroll coined:

Carroll’s famous nonsense poem ‘Jabberwocky’, which features in Through the Looking-Glass, supplies several examples. Some have entered general use: chortle, for instance, is an expressive term blending chuckle and snort; galumph (appearing in the poem as galumphing) may derive from gallop and triumphant; and burble combines bleat, murmur, and warble – though Carroll could not recall creating it this way, and burble has also been a variant spelling of bubble since the fourteenth century.

I then look at some of Carroll’s lesser known portmanteaus and some lesser liked ones that he had nothing to do with – at least not directly.

My older posts on words and language for Macmillan Dictionary can be viewed here.


Nonsense words in Rick and Morty

November 26, 2015

A few people have recommended the Adult Swim cartoon Rick and Morty to me. I haven’t watched it yet, but based on this clip (and glowing reviews) I definitely will. Transcript below the video:

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Bandying libfixes about

August 26, 2015

I have a couple of new posts up at Macmillan Dictionary Blog.

It’s a libfix-aganza! looks at those productive word-bits dubbed libfixes by linguist Arnold Zwicky – like –gate, –splain(ing), and –pocalypse. My post provides an overview of the phenomenon and a small feast of examples:

There’s iversary to mark an anniversary of some kind (blogiversary, hashtagiversary, monthiversary), kini for variations on the bikini (face-kini, mankini, nun-kini), –preneur for different types of enterprising person (foodpreneur, mumpreneur, solopreneur), –tacular to refer to something impressive in a particular way (cat-tacular, craptacular, spooktacular), likewise –tastic (awesometastic, foodtastic, quintastic), and –zilla, ‘connoting size, significance, awesomeness, or fearsomeness’, as linguist Arnold Zwicky puts it (bridezilla, hogzilla, shopzilla).

All of these combining forms are what Zwicky calls libfixes, a term he coined in 2010, because they are liberated parts of words or portmanteaus but ‘are affix-like in that they are typically bound’. . . . Libfixes behave essentially like affixes but tend to be more semantically specified than, say, de- or –ation or –ible.

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Bandying the word ‘bandy’ about considers the word bandy: the various meanings it has gained and the many ways we’ve used it over the centuries.

Funnily enough, Charles Dickens used the word to mean ‘too many bands’ in a letter where he called Dover ‘Not quite a place to my taste, being too Bandy (I mean musical – no reference to its legs).’ . . .

Many of the early, interrelated senses of the word have to do with throwing something aside, or to and fro, or tossing it about. It may be something physical, such as a ball in sport, or more figurative, like words and ideas. If you picture a crowd watching a tennis game you can see why the physical reference was suitable for extension to arguments and other back-and-forth verbal exchanges.

All my posts for Macmillan Dictionary on assorted language-related topics can be read here.


Mx: a gender-neutral title; and ludic language

June 12, 2015

I have two new posts up at Macmillan Dictionary Blog. The first is about a term you might not be familiar with but whose profile seems certain to grow: Mx – a new gender-neutral title.

Mx, which has been in use since at least 1977, made headlines lately because an OED editor said it might be added to that dictionary soon. (So far, Macmillan appears to be the only major dictionary to have done so.) Increasing use of Mx will lead to more recognition of it, both public and official, but since it’s still quite niche I aimed mainly to cover the basics, link to resources, and make the case for its linguistic, political, and cultural value:

To date, Mx has been accepted by various local councils, universities, banks, law societies, the Royal Mail, and government services such as the NHS and HM Revenue and Customs. Clearly it is gaining momentum.

Mx has been adopted by many people who don’t identify as female or male. (Non-binary people can complete a survey on the topic here.) Such preferences should never be assumed – for example, it’s not obligatory for transgender people, but rather an option they may or may not find suitable. Speaking of preferences, Mx is usually pronounced ‘mix’ or ‘mux’, the latter reflecting a sort of stressed schwa, like the options for Ms. When I asked about it on Twitter, Mx-users confirmed both pronunciations.

Or it may be pronounced as an initialism, ‘em ex’. The post also looks briefly at some of the parallels between Mx and Ms, and at the challenges of consciously engineering language.

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Ludic language and the game of grammar surveys a subject close to my heart – or rather a cluster of subjects in the intersection of language and play:

Play is something we associate with children, but there’s nothing intrinsically childish about it, and language offers a large and inviting board on which to do it. This aspect of language helps explain the longstanding tradition of verbal play in informal discourse – what we might call ludic language, from the same root (Latin ludus ‘sport, play’) as ludo and ludicrous. And it’s popular in languages around the world – the latest Ling Space video has some great examples.

Structured language games are another feature. Puns and riddles allow for variation atop a familiar template, while Scrabble, rebuses and tongue twisters are perennially popular. Nor is the playful use of language always trivial…

The post lists additional examples of language play of various structural types. This includes recent online fads like doge and can’t even, which seem deliberately ungrammatical, and I speculate on what motivates the subversive element of this linguistic behaviour.

Older posts can be found in my archive at Macmillan Dictionary.


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