June 1, 2016
For my regular column at Macmillan Dictionary Blog, I’ve been writing about flat adverbs and how our use of the word do has changed since Early Modern English.
I’ll start with the latter. Much ado about ‘do’ summarises the main uses of this complicated verb, then considers how modern usage compares with Shakespeare’s. Here’s a short excerpt:
Sometimes auxiliary do is inessential but included anyway. In ‘Conscience does make cowards of us all’, from Hamlet’s famous soliloquy, it is semantically superfluous, since the meaning of Conscience makes cowards of us all is basically the same. But do in this position was common in Shakespeare’s time, as Lane Greene notes. Nowadays it often serves to emphasise the verb following it – see sense 3 in Macmillan’s entry.
Next up: Is adverbial ‘deep’ used wrong? is a defence of flat adverbs – adverbs that look just like their associated adjectives, such as deep and wrong. The resemblance leads to some muddled thinking and misguided claims:
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May 13, 2016
Despite all the solid, readily available information on the passive voice, there remains a great deal of misinformation and confusion about it. This confusion, far from being limited to non-specialists, pervades professional circles too – journalists, for example, but also journalism professors and authors of writing manuals.
A case in point is Essential English: For Journalists, Editors and Writers by Sir Harold Evans. First published as Newsman’s English in 1972, book one of a five-volume manual of newspaper writing and design, it was fully revised by Crawford Gillan and published by Pimlico in 2000, also incorporating book three, News Headlines (1974).
Essential English first wades into the passive-voice swamp in Chapter 2, in a section titled ‘Be Active’:
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January 11, 2016
At Macmillan Dictionary Blog, I review a list of ‘words you’re using wrong’ from – unusually for this sort of thing – a linguist.
Appraising Pinker’s prescriptions shows that Stephen Pinker has good advice on foreign plurals and some confusable pairs of words. But on other items his guidance seems unduly strict. For example:
The article insists that begs the question ‘does not mean raises the question’. But outside of philosophical contexts, it nearly always does – whether you like it or not. And it says literally ‘does not mean figuratively’ – but people seldom if ever use it that way: the disputed use is when literally intensifies something that may be figurative.
The article says fulsome ‘does not mean full or copious’ – but it can. It says refute ‘does not mean to allege to be false’ – but this is a preference, not an accurate description of how refute is used. Disinterested, we’re told, ‘means unbiased and does not mean uninterested’, but in fact the word commonly has both meanings – and despite claims of ambiguity, these multiple senses don’t generally interfere with clear communication.
Read the rest for further analysis and my conclusions and recommendations.
In today’s post at Macmillan, Your new favourite slang rebuts the knee-jerk reaction against slang and other new informal usages, advising tolerance and patience with people’s language.
It also looks at what new words and phrases people (including me) have been adding to their everyday speech:
I haven’t added bae or fleek to my active vocabulary, and have no immediate plans to, but I have added other new usages. I find hangry (and the related noun hanger) a handy jocular word to describe the feeling of irritation due to hunger. Other relatively new additions to my idiolect include because X and throw shade – though on the occasions I use these I do so chiefly online, where they’re more familiar to people.
Curious about what new usages other people have adopted, especially in speech, I asked on Twitter and got lots of interesting replies . . .
You can click through to read them and offer your own suggestions. Older posts can be browsed in my Macmillan Dictionary Blog archive.
December 16, 2015
I have two new posts up at Macmillan Dictionary Blog. Due to general usage, this phrase is fine looks at the compound preposition due to, my use of which in the post title would be considered ungrammatical by some prescriptivists:
They say due must function as an adjective, which it commonly does after a linking verb. So they would accept a phrase like: ‘Our delay was due to traffic’, but not: ‘We were delayed due to traffic’. Fowler considered the latter usage ‘illiterate’ and ‘impossible’, while Eric Partridge said it was ‘not acceptable’.
These judgements, which have been inherited by some of today’s critics, may seem unnecessarily restrictive to you. They certainly do to me, and to the millions of English speakers who for centuries have ignored the ‘rule’. Writers, too.
The post goes on to show a change in attitudes in favour of the usage, and why there’s nothing grammatically wrong with it anyway.
Alice in Blenderland completes my series of posts on Alice in Wonderland to mark the 150th anniversary of the book’s publication by Macmillan in 1865. It reviews the portmanteau words (aka blends) that Lewis Carroll coined:
Carroll’s famous nonsense poem ‘Jabberwocky’, which features in Through the Looking-Glass, supplies several examples. Some have entered general use: chortle, for instance, is an expressive term blending chuckle and snort; galumph (appearing in the poem as galumphing) may derive from gallop and triumphant; and burble combines bleat, murmur, and warble – though Carroll could not recall creating it this way, and burble has also been a variant spelling of bubble since the fourteenth century.
I then look at some of Carroll’s lesser known portmanteaus and some lesser liked ones that he had nothing to do with – at least not directly.
My older posts on words and language for Macmillan Dictionary can be viewed here.
December 1, 2015
For some people the answer is in the question. Certainly Grammar Nazi is a popular and catchy phrase for referring to people who decry errors of grammar – or what they think are errors, or grammar – and who correct other people’s language unsolicited.
This looser, more general sense of nazi is well established in informal English. I’m not trying to outlaw it – that would make me a ‘nazi’ nazi. But personally I don’t like the term unless it’s used with heavy irony, because it cheapens and trivialises the horrific historical events that it blithely hijacks for rhetorical effect.
This comic by Kris Wilson slyly turns the tables:
Whatever about using Nazi hyperbolically in political contexts to refer to a non-actual-Nazi behaving in a way that may be construed as fascist, I can’t quite get my head around its casual use to refer to attitudes to language use. It has become conventional to the point where many people self-identify, even proudly, as a ‘grammar Nazi’.
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October 22, 2015
I have two new posts up at Macmillan Dictionary Blog. Words change, and that’s OK looks at a new series by Macmillan on word use and language change, and concludes that – despite what language cranks would have you believe – etymology is not the boss of meaning:
This month Macmillan Dictionary introduced its Real Vocabulary series, which assesses word use based on the evidence of usage rather than myth, hearsay, and pet preference. In a video about awesome, for example, Scott Thornbury points to the Dictionary’s secondary meaning for the word, which defines it as ‘extremely good’, labels it ‘informal’, and says it is ‘used mainly by young people’. This supplies enough information and context to understand the word’s recent extension, and is infinitely more helpful than complaining about it or rejecting it as wrong.
In The dodo is dead, long live the dodo, I reflect on dodo the word and dodo the bird, now sadly extinct but with an afterlife of sorts in literature (such as Alice’s Adventures in Wonderland – a line from which gave this blog its name) and in expressions like dead as a dodo:
The dodo seems to have got its name from either Portuguese doudo ‘foolish, simple’ or Dutch dodoor ‘sluggard’; alternatively it may be onomatopoeic, mimicking the bird’s call (PDF). In any case, from the late 19thC the word was applied to people thought to be stupid or behaving stupidly: F. Scott Fitzgerald wrote in a letter about someone who ‘had been a dodo’ about something. But it’s the phrase dead as a dodo that resonates most strongly nowadays, and serves also as a reminder of a unique creature now lost.
Older posts can be read at my Macmillan Dictionary archive.