The latest in an erratic series. In this set we have punctuation, phonetics, raciolinguistics, gesture, lexicography, and writing advice. Viewing length ranges from 4 minutes to 1 hour 18 minutes.
A brief history of the exclamation mark!
I’ve been greatly enjoying videos by Geoff Lindsey, an accent coach from the UK who also gives courses at University College London. His YouTube channel has about 20 videos to date, mostly around 5 or 10 minutes long, on a wide range of topics to do with pronunciation and phonetics.
‘Most folks are amazed when they see the inner life of speech,’ Lindsey says in a fascinating, Stranger Things–themed primer on the human vocal organs that provides a snapshot of what happens anatomically when we speak:
Here he reveals what superhero names can tell us about stress patterns in English compounds – why, for example, we say Superman but Invisible Woman:
The first time you saw the word biopic, did you pronounce it ‘bi-OPic’, to rhyme with myopic, either aloud or in your head, before learning that it’s ‘bio-pic’, as in biographical picture? If so, you were well and truly mizzled. I mean MY-zelled. No, wait: misled.
There are words we know, or think we know, but: (1) we probably got to know them in print before hearing them spoken, and (2) their spelling is ambiguous or misleading in a way that leads us to ‘hear’ them differently – perhaps incorrectly – in our mind’s ear.
Eventually there’s a lightbulb moment. Oh, it’s a bio-pic, not a bi-opic! I’ve been mis-led, not mizzled! Some linguists and language enthusiasts call these troublesome words misles, back-formed from misled, which is perhaps the prototypical misle. Others call them book words.
In 2011 a reader wrote to linguist David Crystal with an interesting question. Having tried recently to brush their teeth and talk at the same time, they wondered how such ‘approximations of real words’ might factor into language – and whether authors had ever exploited this form of speech ‘for inventive literary purposes’.
In his post on what he calls ‘mouth-filled speech’, Crystal looked at phonetics, politeness, etiquette, risks, and frequency (‘really rather common’), but found scant examples in literature or language corpora. My intention here is to share a few from books I’ve read in the meantime – mostly novels but one non-fiction.
We may talk with all sorts of things in our mouth, such as food, pens, pins, fingers (our own or other people’s), tongues (just other people’s), dentist’s instruments, gum shields, gags, and of course toothbrushes. Crystal lists various other possibilities.
Transcribed, the utterance may be transparent or heavily obscured, depending on the writer’s strategy and skill in treating the phenomenon. Context can help readers infer the muddled words, or the author may convey it through repetition. When there’s no narrative reason to have characters speak unclearly, it can be a nod to realism or verisimilitude or perhaps serve as a linguistic game or challenge.
My monthly language column at Macmillan Dictionary Blog continues this year, and I haven’t reported on it since November. So here are the latest four items I’ve written there, with excerpts to give you a flavour:
1. Macmillan’s thesaurus is a bit different, unusual, special, and unique: This post showcases unique features of the site’s thesaurus:
Some words, like software, don’t have many synonyms, but there are many types of software. If you look it up in Macmillan’s thesaurus you’ll find a list of examples of software, like CMS and patch. … These lists of related words help English language learners. Under suffix you’ll see a list of suffixes and their meanings, so anyone still learning English morphology can see at a glance what various suffixes mean and how they are used, such as –able, –ese, –ify, –proof, and –ward. Related words can also be useful for fiction writers seeking authentic detail on an area they’re not versed in. For everyone else, they’re interesting to browse.
2. Disagreements are plenty: What can dictionary entries tell us about linguistic attitudes? I examine Samuel Johnson’s reaction to a certain use of plenty:
‘It is used, I think barbarously, for plentiful.’ The usage is supported with two citations, one of them from Shakespeare’s Henry IV: ‘If reasons were as plenty as blackberries, I would give no man a reason upon compulsion.’ ‘I think barbarously’ is an interesting aside. It shows how personal feelings can override impartiality. Johnson held Shakespeare in great esteem, but even with Johnson’s command of poetry and his knowledge of Shakespeare’s linguistic genius and innovation, he cannot accept the playwright’s use of plenty to mean ‘plentiful’. In his view, it is ‘barbarous’. But […] the phrase ‘I think’ is a telling concession.
3. Loath(e) to get it wrong: Even native English speakers are often unsure of the difference between loath and loathe. Does it matter? I take a look:
Pronunciation helps to distinguish the two words, at least in most cases. In their Macmillan Dictionary entries, audio files and IPA tell us that loath is pronounced /ləʊθ/ (UK) or /loʊθ/ (US), to rhyme with ‘both’, and loathe is pronounced /ləʊð/ (UK) or /loʊð/ (US), to rhyme with ‘clothe’. This follows a phonological pattern in English, where words ending in –the take a voiced syllable: breathe, soothe, lithe, bathe, and so on, while those ending in –th are usually unvoiced. The reality is a bit messier.
4. Would you like an espresso – or an expresso? I review the status of a much-used, and much-loathed, variant pronunciation:
Another reason for the popularity of expresso is that it looks and sounds more like an English word than espresso does – albeit an imported one, with that ‘o’ at the end. Aside from esprit, another Romance-language borrowing, espresso is the only word in common use in English that begins with espr-, whereas expr- is very familiar from words like express and expression. So people unconcerned with etymology are unlikely to notice anything wrong with expresso. … Usage purists are not happy about expresso being in common use. To them, it’s wrong, end of story, and anyone who uses the word is making a careless linguistic error and a social faux pas.
Thanks, as always, for reading. Comments are welcome at either location.
Uptalk, also called upspeak, rising intonation, and (misleadingly) high-rising terminal, is where someone ends a statement as though it were a question? These two are for illustration? Uptalk is stereotypically associated with Australians, ‘Valley Girls’, and young women generally.
It’s also widely hated. Get people talking about their language peeves, and sooner or later uptalk will crop up. It has been described as an ‘annoying tic’ (The Smithsonian), ‘worse than vocal fry’ (Time), and as a ‘nasty habit’ in Psychology Today, which also worries that ‘statements and opinions will become extinct’. This is feverish doom-mongering.
Even Stephen Fry, normally a tolerant sort, linguistically, gave out about uptalk on UK comedy show Room 101, complaining invidiously that it had ‘invaded Britain entirely’. The host, Paul Merton, said it could be a politeness strategy, though he didn’t call it that, but Fry was having none of it (and went on to censure quotative like, which Merton also defended). Most of the audience found uptalk ‘deeply irritating’: