Book spine poem: When the Lights Go Down

March 20, 2019

I almost forgot how much fun it is to make book spine poems. My last one was about a year ago (and led to an interview at the OED), so it’s about time I did another. This one tells a miniature story.

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When the Lights Go Down

Stranger on a train, heading inland,

Civilwarland in bad decline.

Autumn-dark voyage,

The light of evening,

The signal and the noise.

One shot without conscience

when the lights go down:

Death in a white tie, a brilliant void.

Reader, I murdered him.

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A vertical stack of books, with their spines facing the viewer and forming a found poem

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Interview with the OED

June 4, 2018

Some weeks ago I made a visual poem from book spines to mark the 90th anniversary of the first edition of the Oxford English Dictionary. The OED editors liked it enough to republish it on their website; they also asked me a few things about language, dictionaries, and book spine poetry.

You can read my short interview on the new OED blog. If dictionaries and word history interest you, I recommend the rest of the blog – click the image below – which looks at the OED‘s reception in 1928, the work of editors past and present, and dialect words from around the world, among other things.

For more book spine poems, aka bookmashes, see the archive.

 


Book spine poem: Walking Word by Word

April 19, 2018

Ninety years ago today, the first edition of the Oxford English Dictionary – 414,825 words defined in 15,487 pages over 12 volumes – was completed. Invited by its editors to mark the anniversary, I’ve made a new book spine poem, dedicated to the OED and to James Murray:

[click to enlarge]

Photo of a stack of seven books, their spines facing front, and arranged to make a found poem, as presented in text below

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Walking Word by Word

Caught in the web of words,
The loom of language,
The stuff of thought,
The story of writing ­­–
a line made by
walking word by
word through the
language glass.

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Fowler, the ‘instinctive grammatical moralizer’

May 3, 2017

Shortly before H. W. Fowler’s renowned Dictionary of Modern English Usage appeared, almost a century ago, excerpts from it were published in the tracts of the Society for Pure English (Fowler was a member) and subject to critical commentary. One entry proved especially contentious, sparking a lively exchange with linguist Otto Jespersen.

These two grammatical heavyweights disagreed over what Fowler called the fused participle (aka possessive with gerund, or genitive before a gerund): a phrase like it led to us deciding, instead of the possessive form that Fowler would insist on: it led to our deciding.

When Fowler scorned the construction as ‘grammatically indefensible’, Jespersen (also in the tracts) defended it on historical principles and called Fowler’s piece ‘a typical specimen of the method of what I call the instinctive grammatical moralizer’.

Fowler’s reaction is described in The Warden of English, Jenny McMorris’s enjoyable and solidly researched account of the lexicographer’s life and work:

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Book spine poem: Microworlds

April 16, 2017

It’s a few months since I made one of these. So: a new book spine poem.

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‘Microworlds’

Microworlds, a patchwork planet
Solar bones brighter than
A thousand suns.
Gut symmetries collapse,
All fall down,
Vertigo: wide open –
Full catastrophe living.

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Book spine poem #39: Language, Language!

December 18, 2016

My latest piece of doggerel in book-spine form has an obvious theme.

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Language, Language!

Language, language!
The story of language.
Language, slanguage
Spoken here: a history of
Language, a history of
Writing: style, style,
Style in fiction,
Linguistics and style,
Language and linguistics.
What is linguistics?
Understanding language.

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[click to enlarge]

stan-carey-book-spine-poem-language-language

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Book spine poem: Grand Central Station

September 28, 2016

A new (and characteristically overdue) bookmash! Also known as a book spine poem. Here goes.

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Grand Central Station

By Grand Central Station
I sat down and wept:
Spill, simmer,
Falter, wither,
A Belfast woman a far cry
from Kensington.

The leaves on grey,
The introvert’s way,
The woman who talked
to herself:
If you leave me,
Can I come too?

The joke’s over –
The song is you.

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stan-carey-book-spine-poem-grand-central-station

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