Brits doing Baltimore accents in The Wire

June 9, 2021

Lately I watched The Wire for the first time since it screened in 2002–08. It holds up really well, thanks to its wealth of characters, superb writing, and enduring political relevance. Afterwards, I read Jonathan Abrams’s acclaimed All the Pieces Matter (No Exit Press, 2018), an oral history composed of carefully interwoven interviews with the show’s cast, crew, and creators.

Book cover shows three characters from The Wire: McNulty and Kima Greggs (Sonja Sohn) are in a car, Greggs looking ahead and Mcnulty looking out his half-open window, his left hand on the steering wheel. Reflected in his window is Stringer Bell. Behind the car, blurred, is a Baltimore street and overcast sky. Below them all are the book title and author name in white and blue sans-serif caps.The Wire is set in Baltimore and is suffused with Baltimore culture, including its language. Two principal characters, Stringer Bell and Jimmy McNulty, are played by British actors, Idris Elba and Dominic West, who had to adjust their accents to be authentic in their roles. This led to some difficulty, as Abrams’s book reveals.

Co-creator Ed Burns said that West spent a lot of time going over the accent with David Simon: ‘“Now, say it like po-lice.” “Police.” “No, po-lice.”’ Others helped out as well. Peter Gerety, a veteran of stage and screen who played Judge Daniel Phelan, said West asked him for guidance:

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Douglas Coupland’s Generation X lexicon

July 2, 2016

A quarter-century after publication seemed a good time to revisit Douglas Coupland’s self-consciously zeitgeisty novel Generation X: Tales for an Accelerated Culture. It remains a rewarding read, inventive and humorous, with a sincerity unspoiled by its often sardonic views.

A salient feature of the book is an ingenious, comical, cultural glossary supplementing the text as it unfolds. For example: Ultra short term nostalgia (unhyphenated in the book) is ‘homesickness for the extremely recent past: God, things seemed so much better in the world last week.’ This had special resonance after the UK’s Brexit vote last month, as did Historical Overdosing:

douglas coupland - generation x pink book cover abacusTo live in a period of time when too much seems to happen. Major symptoms include addiction to newspapers, magazines, and TV news broadcasts.

(The symptoms for Historical Underdosing are the same.)

Some of the near-100 such entries, like McJob – the first in the book – have become established in broader usage. The OED cites Generation X in its entry for McJob, but credits a Washington Post headline from 1986 as the first use.

It’s worth comparing the two glosses: where the OED is appropriately disinterested and concise, Coupland adds wry sociological insight:

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Misheard lyrics, and ‘overall’ criticism

November 13, 2014

I have two new posts up at Macmillan Dictionary Blog. Mildew all around me, and other mondegreens looks at misheard song lyrics, including some famous, favourite, and personal examples:

Everyone’s experience of a song is unique, so new and idiosyncratic mondegreens keep appearing. Others are common enough to be famous in the field, like Jimi Hendrix’s ‘kiss this guy’, instead of kiss the sky. Some mondegreens might begin as accidents of perception but be amusing enough to then be deliberately adopted, replacing the original words. Wright herself [Sylvia Wright, who coined the term] wrote that they were ‘better than the original’, and some singers even embrace the mondegreens.

Among my favourites are ‘Shamu the mysterious whale’ (She moves in mysterious ways) and ‘R-G-S-P-E-P-P’ (R-E-S-P-E-C-T). I also summarise how they got the name mondegreens and explain the titular ‘Mildew all around me’, which is family lore. There are also great examples in the comments (‘All we are saying is kidneys and jam’).

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This week’s post, Overall, there’s nothing really wrong with it, examines the use and criticism of the word overall. It’s part of a critical series at Macmillan on prescriptivism. I’m particularly interested in how long overall has been labelled a ‘vogue word’:

In The Complete Plain Words, first published 60 years ago, Ernest Gowers described as ‘astonishing’ the word’s growth in popularity, then spent two full pages showing how it was being used as a synonym for more than a dozen other words. A few years later, overall was described (fairly, I think) as a ‘vogue word’ in Eric Partridge’s Usage and Abusage. Vogue words are ‘faddish, trendy, ubiquitous words that have something new about them’, writes Bryan Garner in his Modern American Usage. One of the vogue words in this 2009 book is… overall. Just how long can a word be in vogue?

The post goes on to report other complaints about overall, weighs up the evidence, and offers advice on whether you should use it.

You can browse all my older posts for Macmillan Dictionary Blog here.