Book review: Memory Speaks: On Losing and Reclaiming Language and Self, by Julie Sedivy

September 7, 2021

It’s a truism that language is integral to identity. So when our relationship with it changes, complications quickly accrue: Do we become someone different in another tongue? Is that all down to culture and context, or is there something inherent in a language that affects who we feel ourselves to be? And what happens when we start our lives speaking one language but then switch to another?

These are among the questions explored, with heart and rigour, in Julie Sedivy’s new book, Memory Speaks: On Losing and Reclaiming Language and Self (available October 2021 from Harvard University Press, who sent me a copy). Sedivy was born in the former Czechoslovakia and spoke only Czech until the age of two. At that point her family left the country, then the continent, and her linguistic environment was transformed.

Book cover has a colourful design on a black background, with the author's name and book subtitle in white script around the perimeter. Near the top, the word 'memory' appears in all caps, each letter a different colour: green, orange, blue, red, light green, yellow. A thick, squiggly, coloured line drops from each letter into a broad tangle in the centre, before disaggregating into the word 'speaks' (again, all caps, different colours) at the bottom.As a child in Canada, Sedivy was suddenly surrounded by English, heard it animate her new friends and role models, and felt compelled to adopt it. English ‘elbowed its predecessors aside’ and became the family language: ‘What could my parents do? They were outnumbered. Czech began its slow retreat from our daily life’. The consequences were not yet apparent to her; ‘the price of assimilation was invisible’.

Years later, after losing her father, Sedivy came to realize ‘how much I also mourned the silencing of Czech in my life’. Her Czech heritage had come to feel like a ‘vestigial organ’. She had lost access to the ‘stories and songs that articulate the values and norms you’ve absorbed without knowing they live in your cells’. She wrote Memory Speaks as part of an effort to ameliorate and understand that loss, exploring

why a language can wither in a person’s mind once it has taken root, what this decline looks like, and how the waning of language can take on a magnitude that spreads beyond personal pain to collective crisis.

Read the rest of this entry »


The impassable barrier of language

April 10, 2020

Rachel Cusk’s novel Outline has a passage on the challenges (and opportunities) of using a second language. The narrator is giving a writing workshop in Athens and meets a woman who describes her experiences outside of English:

Book cover has a thick white border with the title in black all-caps at the top and the author's name at the bottom. Between them is a large photo of a conch shell stuck in a sandy beach, pointy bit down and its open side facing the viewer. The sand is pale brown, and the sea is light blue and blurry in the background. The shell is cream-coloured with brown bands and a deep pink interior.She wasn’t quite sure how the language barrier was going to work: it was a funny idea, writing in a language not your own. It almost makes you feel guilty, she said, the way people feel forced to use English, how much of themselves must get left behind in that transition, like people being told to leave their homes and take only a few essential items with them. Yet there was also a purity to that image that attracted her, filled as it was with possibilities for self-reinvention. To be freed from clutter, both mental and verbal, was in some ways an appealing prospect; until you remembered something you needed that you had had to leave behind. She, for instance, found herself unable to make jokes when she spoke in another language: in English she was by and large a humorous person, but in Spanish for instance – which at one time she had spoken quite well – she was not. So it was not, she imagined, a question of translation so much as one of adaptation. The personality was forced to adapt to its new linguistic circumstances, to create itself anew: it was an interesting thought. There was a poem, she said, by Beckett that he had written twice, once in French and once in English, as if to prove that his bilinguality made him two people and that the barrier of language was, ultimately,  impassable.

Read the rest of this entry »


The Wug-Plant

September 16, 2016

‘Precious Artifact’ is a short story by Philip K. Dick that I read recently in the collection The Golden Man (Methuen, 1981). I won’t get into the story here, or the book, except to lend context to a phrase he coined for it. But if you’re averse to mild spoilers, skip ahead a little.

The phrase is introduced when the protagonist, based on Mars, is preparing to return to Earth, or Terra as it’s called in the story:

philip-k-dick-golden-man-methuen-book-coverMilt Biskle said, “I want you to do something for me. I feel too tired, too—” He gestured. “Or depressed, maybe. Anyhow I’d like you to make arrangements for my gear, including my wug-plant, to be put aboard a transport returning to Terra.”

Milt’s singling out the wug-plant is significant both narratively (for reasons I’ll ignore) and emotionally: he’s attached to it to the point of calling it a pet. Later, on ‘Terra’, he finds it has not prospered in the new climate (‘my wug-plant isn’t thriving’), and soon afterwards ‘he found his Martian wug-plant dead’.

But wug-plant is most significant linguistically. Those of you with a background or interest in linguistics will know why, but for the benefit of other readers I’ll explain briefly.

Read the rest of this entry »


Language acquisition and the ‘wild child’ Genie

August 23, 2016

An area of language acquisition that has attracted considerable scholarly (and lay) interest is the so-called critical period hypothesis. This proposes a critical period in childhood during which people need to acquire a language in order to become fully proficient in it.

Abby Kaplan’s new book Women Talk More than Men: And Other Myths about Language Explained has a helpful chapter on this, investigating whether the ability to acquire a language falls sharply or gradually after a certain age, whether the progressive difficulty in acquiring a second language is universal or admits exceptions, and so on.

In examining whether early childhood exposure to language is vital for its acquisition, Kaplan writes that one source of evidence is ‘the very sad cases of people who weren’t exposed to a language as children, usually due to extreme abuse or neglect’.

A famous example is Genie, who was found in 1970 aged 13 having spent most of her life until then in isolation.

Genie - Secret of the Wild Child documentary PBS Nova

Image of Genie from the Nova documentary ‘Secret of the Wild Child’

Read the rest of this entry »


Anaïs Nin on learning a new language

July 31, 2014

Despite their Whorfian tang I enjoyed these reflections on language learning from Anaïs Nin. They’re from A Woman Speaks: The Lectures, Seminars and Interviews of Anaïs Nin, edited by Evelyn J. Hinz (1975):

Language to me is like the discovery of a new world, really a new state of consciousness. A new word to me was a new sensation. Reading the dictionary, anything at all, can add not only to your knowledge but also to your perceptions.

Do new languages bestow new states of consciousness? The idea that bilingual (and multilingual) people inhabit different personalities in different languages has much anecdotal evidence to support it – many bilinguals report feeling like different people when they speak different tongues.

Researchers who have studied the phenomenon are equivocal about its implications – it probably has far less to do with grammar than with the environments and cultures associated with the languages.

Read the rest of this entry »


Children’s awareness of irregular verbs

August 13, 2012

I’ve been enjoying Steven Pinker’s Words and Rules: The Ingredients of Language (1999). More technical and focused than his popular bestseller The Language Instinct, it is effectively a monograph on linguistic irregularity, examining in particular how we inflect verbs for past tense and plurality, and what the exceptions can tell us about the structure of language and our minds.

In chapter 7, ‘Kids Say the Darnedest Things’, Pinker points out that children sometimes know that the mistakes they make are mistakes. He cites Dan Slobin and Tom Bever, psycholinguists who inserted their children’s speech errors into their own speech and recorded the results:

TOM: Where’s Mommy?
CHILD: Mommy goed to the store.
TOM: Mommy goed to the store?
CHILD: NO! (annoyed) Daddy, I say it that way, not you.

CHILD: You readed some of it too . . . she readed all the rest.
DAN: She read the whole thing to you, huh?
CHILD: Nu-uh, you read some.
DAN: Oh, that’s right, yeah, I readed the beginning of it.
CHILD: Readed? (annoyed surprise) Read! (pronounced rĕd)
DAN: Oh yeah, read.
CHILD: Will you stop that, Papa?

Pinker infers from this, and from the evidence of more controlled studies, that children know irregular forms better than we might suppose; as they progressively master these forms, their errors are ‘slip-ups in which they cannot slot an irregular form into a sentence in real time’. Adults make similar slips, though nowhere near as often.

The main points of Words and Rules are set out in a short lecture (PDF) of the same name, while the London Review of Books has a critical review by Charles Yang.


Memory of syntax and semantics

October 2, 2011

Jean Aitchison’s The Articulate Mammal describes and evaluates many interesting psycholinguistic experiments, one of which I want to draw attention to here:

a number of psychologists have found that all memory of syntax and vocabulary normally fades very fast indeed, unless subjects are specifically told that they will be asked to recall the sentence. Memory for syntax of any kind is near to chance approximately half a minute after a sentence has been spoken (Sachs 1967). In normal circumstances, it seems, people remember only the gist of what has been said, and they often confuse this with a number of extra beliefs and expectations about the topic under discussion (Fillenbaum 1973).

Jacqueline Strunk Sachs, speaking subsequently (PDF) about her experiment, said it showed that we forget “the specific wording of an utterance . . . within seconds”, though we might retain its meaning for a very long time.

Her 1967 paper (“Recognition memory for syntactic and semantic aspects of connected discourse”) was based on her doctoral dissertation and can be downloaded here.* It’s a short and clear account of a smartly designed study, well worth reading if you’re into this sort of thing and you don’t mind the Chomskyan terminology.

The abstract concludes:

The results suggest that the original form of the sentence is stored only for the short time necessary for comprehension to occur. When a semantic interpretation has been made, the meaning is stored. Thus the memory of the meaning is not dependent on memory of the original form of the sentence.

I imagine this rings true for most people. What say you? Have you noticed the rapid divergence between memory of what is said and memory of exactly how it is said?

* Typo fans will enjoy SpringerLink’s mangled paper title, “Recopition memory”, and the suggestion that some of the data were presented at a meeting held in April, 1066.