The making of a book sculpture, by Emma Taylor

June 10, 2014

You might know Emma Taylor’s book sculptures. They are lovely creations: intricate, serene, and alive. Her work is reminiscent of the anonymous book art that began appearing in Edinburgh a few years ago, but the identity of the latter remains unknown.

[NB: I initially believed the two artists were the same, and have edited the above to clarify. Sorry about that.]

Emma Taylor - book sculpture - Shadow of the Past

Ms. Taylor has a Tumblr blog showcasing her work: From Within a Book, to which I now direct your attention. The main page has assorted photos, links, and notes, including works in progress. There’s also a selection of completed sculptures. She writes:

To me the possibility of the end of the book is a tragic one; I appreciate books as an object as much as I enjoy the stories and knowledge which they hold.

This appreciation surely grows in those exposed to her art: think how a beginning reader with their first library card would react upon seeing these miniature worlds that seem to grow out of the very pages of each book, the text embodied in a study of itself.

As a child I adored ‘make and do’, tugging and taping paper into all sorts of three-dimensional entities – all quite crude and disposable, but transporting nonetheless. Peggy Nelson, in her analysis of pop-up books, put it nicely: “we were not content with surfaces”.

Here’s a short clip showcasing Taylor’s book sculptures from 2013:

And a longer and very interesting behind-the-scenes video showing step by step how she turned a copy of John Galsworthy’s Swan Song into a ‘Swan Song’ of her own:

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Artful things

September 4, 2009

In some of my spare time I make art. Had I more spare time (or the power of bilocation or biological fission), I would make more art. Lots of all sorts of it. These days, when I can, I mostly create collages or set my colouring pencils loose on a sketchbook, but it would be gratifying to have the luxury of a weekend, a month, or a decade to play around with charcoals, clay, paint, pipe cleaners, and other willing materials. And I’d like to try my hand at stop-motion animation, and stained glass.

Stan Carey - Harry Clarke window

(Window by Harry Clarke, about whom more below.)

These days, though, I am too busy with editing work, volunteer work, writing, and countless other activities, online and off, to afford art more than a few evening hours at a time. No doubt many of you can empathise. The business of a busy world is to become busier in spite of one’s efforts to simplify.

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