Game of mondegreens

September 5, 2022

A mondegreen is a misheard song lyric, like ‘Excuse me while I kiss this guy’ (instead of ‘. . . kiss the sky’). The word is itself a mondegreen, stemming from a mishearing of ‘laid him on the green’ as ‘Lady Mondegreen’ in an old ballad. I wrote about mondegreens for Macmillan Dictionary back in 2014.

Recently I discovered an elaborate one of my own. In my early teens I had a rave-music phase, playing a tape compilation continually for months (and baffling my parents, who were paying for classical piano lessons). This was years before I started clubbing, but something in the music’s rebellious energy and fun samples connected with me.

One of the highlights on that tape was a cartoon rave track named ‘Trip to Trumpton’ by Urban Hype. If you don’t know the song or the source of its samples – a children’s TV series from Britain – then I invite you to play a game: Before reading further, write down what you think the line at 0.42 is. It’s repeated four times:

Don’t overthink it or create a spectrogram or anything – just go with your first hunch. It doesn’t have to make sense. My interpretation certainly didn’t. Then let me know in a comment what you heard.

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Litotes and lyrics on which we disagree on

May 16, 2015

Following my recent defence of double negatives, I wrote further about a particular form of multiple negation that has been popular for many centuries. In Litotes is no small matter, at Macmillan Dictionary Blog, I describe this figure of speech as:

less rare than you might think – indeed, it is anything but uncommon. Litotes is used in all sorts of language varieties and contexts, from high-flown rhetoric to everyday small talk. We might reply to the greeting ‘How are you?’ with ‘Not bad’ or ‘Can’t complain.’ . . .

Litotes shows up in some familiar phrases and idioms. If we think someone should be able to do or understand something, we can say it’s not rocket science. If someone has overstepped the mark, we can let them know in no uncertain terms – a phrase that conveys the force of our disapproval. So as well as understatement, litotes can also be used for emphasis.

The post looks at other forms of litotes, such as the common not un-X construction, cites some familiar examples from pop culture, and considers its functions and range of meaning.

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With pop culture on the brain, I then tackled a famous (and somewhat infamous) song lyric at which I’ve often wondered at. The line I’m interested in occurs at 0:18 and 2:06 in the video below:

The question is whether McCartney sings: this ever-changing world in which we live in, or …in which we’re livin’. In my Macmillan post This ever-changing language in which we live in, I note that the latter interpretation

would make sense, and it’s more charitable to McCartney. But it doesn’t seem to be what he sings. The we/we’re bit is ambiguous on account of his accent, but the later phrase really doesn’t sound like livin’ to me – the stress pattern is more suggestive of live in. The Guns N’ Roses cover is more unequivocally live in, and apparently it’s what appears in the original liner notes.

But even language experts disagree on what McCartney sings: Grammarphobia holds to the livin’ reading, citing (somewhat unconvincingly) a book on pop music, while David Crystal makes a strong case for live in, and writes: ‘Certainly it’s ungrammatical; but it’s not unnatural.’

Read the rest for more analysis and conjecture, including McCartney’s own ambivalence when queried about it. For older posts, see my archive at Macmillan Dictionary Blog.