Book spine poem: The Accidental Grammar

July 15, 2016

Every so often I make a poem by stacking books on top of one another so their titles line up felicitously. I call them book spine poems, or bookmashes for short. Here’s a new one.

*

The Accidental Grammar

Voices in stone
breaking the rock:
the accidental grammar,
the loom of language,
the awakening of intelligence,
the mind’s eye reborn –
Renegade presence,
gifts of unknown things.

*

stan carey book spine poem - the accidental grammar

 

Some of these are recent additions to the bookshelf; a few are old favourites. There’s a strong bias towards non-fiction here, with Ali Smith’s the only novel. In 2013 I found a close ratio of fiction to non-fiction in my bookmashes, but I’ll have to review the figures, maybe when I’ve done 40 or 50 (we’re at 37 now).

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Douglas Coupland’s Generation X lexicon

July 2, 2016

A quarter-century after publication seemed a good time to revisit Douglas Coupland’s self-consciously zeitgeisty novel Generation X: Tales for an Accelerated Culture. It remains a rewarding read, inventive and humorous, with a sincerity unspoiled by its often sardonic views.

A salient feature of the book is an ingenious, comical, cultural glossary supplementing the text as it unfolds. For example: Ultra short term nostalgia (unhyphenated in the book) is ‘homesickness for the extremely recent past: God, things seemed so much better in the world last week.’ This had special resonance after the UK’s Brexit vote last month, as did Historical Overdosing:

douglas coupland - generation x pink book cover abacusTo live in a period of time when too much seems to happen. Major symptoms include addiction to newspapers, magazines, and TV news broadcasts.

(The symptoms for Historical Underdosing are the same.)

Some of the near-100 such entries, like McJob – the first in the book – have become established in broader usage. The OED cites Generation X in its entry for McJob, but credits a Washington Post headline from 1986 as the first use.

It’s worth comparing the two glosses: where the OED is appropriately disinterested and concise, Coupland adds wry sociological insight:

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Book spine poem: Mice

May 19, 2016

*

Mice

White jazz in a café:
Nocturnes, still life –
The mouse and his child
Loitering with intent.

*

stan carey book spine poem mice

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The need to name everything

March 30, 2016

The act of naming was described by Elias Canetti as ‘the great and solemn consolation of mankind’. Replace the anachronistic last noun with humankind or humanity and it fits an entry in Eve Ensler’s book The Vagina Monologues:

I have always been obsessed with naming things. If I could name them, I could know them. If I could name them, I could tame them. They could be my friends.

It’s not clear who the narrator is. Ensler says some of the monologues that constitute her book are ‘close to verbatim interviews’, some are composite, and with some she ‘just began with the seed of an interview and had a good time’.

eve ensler - the vagina monologues book coverThe unnamed naming obsessive mentions a collection of inanimate frogs she had as a child, each of which she named in a ‘splendid naming ceremony’ involving song, dance, frog noises, and excitement – though not before she had spent time with the frog, getting to know its nature. One was called ‘Froggie Doodle Mashie Pie’, so perhaps we should drop the ‘solemn’ part of Canetti’s line.

Soon, the narrator says, she ‘needed to name everything’ – rugs, doors, stairs, furniture, the flashlight (‘Ben’). Then she looked closer to home, so to speak:

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‘You just say what’s in your squanch’

March 24, 2016

Last year I shared a scene from Rick and Morty that contained a series of nonsense words like plumbus, schleem, and blamf. It was probably my least popular post in years. Undeterred, I’m featuring the show again. (I hadn’t seen it in November; now I have.)

In an episode called ‘The Wedding Squanchers’ we’re introduced to the cat-like character Squanchy on Planet Squanch and, more to the point, to the improbably versatile word squanch.

The word’s hyperpolysemy quickly becomes a running gag. Squanchy tells Rick his house party is squanchy and that he likes Rick’s squanch (style, I think). Then a specific verb use of squanch takes us into adult territory. Well, it is Adult Swim.

Rick and Morty - The Wedding Squanchers on Planet Squanch - Adult Swim

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Book spine poem: A Quiet Life

February 10, 2016

Last weekend I read The Long Gaze Back, a wonderful anthology of short stories by Irish women writers, edited by Sinéad Gleeson. I felt the book’s title – borrowed from Maeve Brennan’s novella The Visitor – could work in a book spine poem. So here it is.

[click to enlarge]

stan carey book spine poem a quiet life

A Quiet Life

A quiet life
on Chesil Beach,
loving and giving
bliss, breath, broken
words, the broken shore,
The long gaze back
under Milk Wood.
Johnny, I hardly
knew you.

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Actors’ use of gibberish

January 12, 2016

Harriet Walter, in her book Other People’s Shoes: Thoughts on Acting, describes an exercise in actors’ training which is designed to ‘break the language barrier and stretch one’s physical invention’.

Named Gibberish, it is:

harriet walter - other people's shoes - thoughts on actingthe practice of substituting what was in the script with our own gobbledegook. The purpose was to release us from the constrictions of another person’s words, to bypass ‘meaning’ and send us straight to a creative source we might not know we had. With Gibberish we could burst our civilized seams and see what else was there. Who were we when released from the conditioning shackles of our hereditary patterns of speech?

At LAMDA [London Academy Of Music & Dramatic Art] we invented fabulous hybrid languages (mostly based on soundtracks from Swedish, Russian or Japanese movies) which broke the mould of our familiar accents and tones. We rediscovered the infantile pleasure in making noises and letting them reverberate to the ends of our toes.

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