Consumed by Lydia Davis’s short stories

May 11, 2020

An early highlight of my reading year has been Lydia Davis’s Collected Stories. Many of her stories put a slight and strange and startling twist on consensus reality (or a fresh insight that amounts to the same), sometimes combined with a self-conscious linguistic flourish:

Book titled "The Collected Stories of Lydia Davis" with text in white all caps on a bright orange background, with a double border of two thin white lines. Smaller text at the bottom reads: "Winner of the Man Booker International Prize 2013". In the bottom right corner is the Penguin publisher's logo.I am reading a sentence by a certain poet as I eat my carrot. Then, although I know I have read it, although I know my eyes have passed along it and I have heard the words in my ears, I am sure I haven’t really read it. I may mean understood it. But I may mean consumed it: I haven’t consumed it because I was already eating the carrot. The carrot was a line, too.

This synaesthesia-adjacent report is one of fifteen self-contained entries in a story titled ‘Examples of Confusion’.

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F.L. Lucas on style: ‘personality clothed in words’

July 19, 2017

Two of my favourite books on writing have the same one-word title: Style. Years ago I shared an essay by the author of the older Style, Frank Laurence Lucas, and having recently revisited his book, I’ll post a few excerpts.

First published in 1955, Lucas’s Style has dated in certain respects (try to ignore the generic male pronouns), but it is still full of sound advice and insights on the art and mechanics of composition. So then: What is style? Lucas describes it as:

a means by which a human being gains contact with others; it is personality clothed in words, character embodied in speech. If handwriting reveals character, style reveals it still more – unless it is so colourless and lifeless as not really to be a style at all. The fundamental thing, therefore, is not technique, useful though that may be; if a writer’s personality repels, it will not avail him to eschew split infinitives, to master the difference between ‘that’ and ‘which’, to have Fowler’s Modern English Usage by heart. Soul is more than syntax. If your readers dislike you, they will dislike what you say.

Three chapters are titled ‘Courtesy to Readers’. The first, on clarity, concludes with a note on how to achieve it:

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